A generative theory of tonal music
- 作者: Lerdahl, Fred,
- 其他作者: Jackendoff, Ray,
- 出版: Cambridge, Mass. : MIT Press 1996, ©1983.
- 稽核項: 1 online resource (xvi, 368 pages) :illustrations.
- 叢書名: The MIT Press series on cognitive theory and mental representation
- 標題: MUSIC Instruction & Study -- Theory. , Musique Aspect psychologique. , Aspect psychologique. , Music, Dance, Drama & Film. , Electronic books. , MUSIC , Instruction & StudyTheory. , Théorie musicale. , Musique et langage. , Music , LINGUISTICS & LANGUAGE/General , Musique , Music theory. , ARTS/Music & Sound Studies , Music and language. , Music. , Music Instruction & Study. , Psychological aspects. , Music Psychological aspects.
- ISBN: 026262107X , 9780262621076
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 353-359) and index.
- 摘要: A search for a grammar of music with the aid of generative linguistics.This work, which has become a classic in music theory since its original publication in 1983, models music understanding from the perspective of cognitive science.The point of departure is a search for the grammar of music with the aid of generative linguistics.The theory, which is illustrated with numerous examples from Western classical music, relates the aural surface of a piece to the musical structure unconsciously inferred by the experienced listener. From the viewpoint of traditional music theory, it offers many innovations in notation as well as in the substance of rhythmic and reductional theory.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=49648
- 系統號: 005296186
- 資料類型: 電子書
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- 引用網址: 複製連結
A search for a grammar of music with the aid of generative linguistics. This work, which has become a classic in music theory since its original publication in 1983, models music understanding from the perspective of cognitive science.The point of departure is a search for the grammar of music with the aid of generative linguistics.The theory, which is illustrated with numerous examples from Western classical music, relates the aural surface of a piece to the musical structure unconsciously inferred by the experienced listener. From the viewpoint of traditional music theory, it offers many innovations in notation as well as in the substance of rhythmic and reductional theory.
來源: Google Book
來源: Google Book
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