The theatrical event :dynamics of performance and perception
- 作者: Sauter, Willmar,
- 出版: Iowa City : University of Iowa Press ©2000.
- 稽核項: 1 online resource (x, 272 pages) :illustrations.
- 叢書名: Studies in theatre history and culture
- 標題: European drama , Histoire , Théâtre européen , European drama. , Political aspects. , 1900-1999 , Théâtre , European drama 20th century -- History and criticism. , History. , Theater. , Receptie. , Theater Europe -- History -- 20th century. , PERFORMING ARTS , Criticism, interpretation, etc. , Political aspectsHistory , Theater audiences , Théâtre Aspect politique -- Europe -- Histoire -- 20e siècle. , Toneelvoorstellingen. , History and criticism. , Theater , Theater Political aspects -- Europe -- History -- 20th century. , Aspect politiqueHistoire , PublicsHistoire , PERFORMING ARTS Theater -- History & Criticism. , Théâtre Europe -- Histoire -- 20e siècle. , Théâtre Publics -- Europe -- Histoire -- 20e siècle. , Théâtre européen 20e siècle -- Histoire et critique. , Histoire et critique. , Electronic books. , Europe. , History , TheaterHistory & Criticism. , Theater audiences. , Het Fictieve. , Theater Political aspects. , Theater audiences Europe -- History -- 20th century. , Electronic book.
- ISBN: 087745731X , 9780877457312
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 257-268) and index. New Beginnings -- pt. I. Theatrical Event: Foundations. 1. Approaching the Theatrical Event: The Influence of Semiotics and Hermeneutics on European Theatre Studies. 2. Theatre or Performance or Untitled Event? Some Comments on the Conceptualization of the Object of Our Studies. 3. Reacting to Actions: Concepts of Theatricality. 4. Theatrical Events Revisited: Playing Culture and the Historiography of Early Nordic Theatre. 5. Culture as Human Encounter: Theatrical Communication as Model of Cultural Events -- pt. II. Theatrical Event: Applications. 6. Sarah Bernhardt in Phenomenological Perspective: To Study a Living Legend. 7. Mistero Buffo, 1999: Dario Fo's Intercultural Transfer to Sweden.
- 摘要: The Theatrical Event discusses the objectives of theatre studies by focusing on the communicative encounter between performer and spectator - the theatrical event. A theatrical event includes the presentation of a performance and the attention of an audience; in this sense, every performance - on stage or in the street, historical or contemporary - that is watched by an audience is a theatrical event.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=67734
- 系統號: 005297973
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The Theatrical Event discusses the objectives of theatre studies by focusing on the communicative encounter between performer and spectator—the theatrical event. A theatrical event includes the presentation of a performance and the attention of an audience; in this sense, every performance—on stage or in the street, historical or contemporary—that is watched by an audience is a theatrical event. The concept underlines the “eventness” of all encounters between performers and spectators. In the first part of the book, Willmar Sauter presents various models for the analysis of theatrical events, examining the relationship between performance and perception and the interaction between the performative event and its context. Using examples from ancient and recent theatre history and discussing traditional and nontraditional approaches to theatre theory, he builds a paradigmatic change in the concept of theatre. Constructs such as playing culture (as opposed to written culture), theatrical communication, theatricality, and theatre as a model of cultural event are brought into focus and their methodological advantages explored. The second part of the book uses the theoretical groundwork of the first part to enhance a variety of topics, including such legends as Sarah Bernhardt and other historical phenomena such as a Swedish Renaissance play, Strindberg's ideas on acting, the question of ethnicity in the political theatre of the 1930s, and critical writings on contemporary performances. Sauter examines how Robert Lepage's staging of A Dream Play is viewed by critics and scholars and analyzes Dario Fo's intercultural transfer to outdoor performances in Stockholm and the unusual sensationalism of Strindberg's Miss Julie.
來源: Google Book
來源: Google Book
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