附註:Filmography: pages 177-181.
Includes bibliographical references (pages 181-205) and index.
A spectre is haunting Europe: Disney rides again intermission -- Socialisme ou barbarie: welcoming Disney -- Domesticated animus: engendering Disney -- Spectrographies: conjuring Disney -- You can't lionise the lion: racing Disney -- It's the economy stupid: Bill 'n' Disney -- King of the swingers: queering Disney -- Democracy limited: impeaching Disney.
摘要:Demonising Disney is nothing new. Disney films have long been synonymous with a certain conservative, patriarchal, heterosexual ideology, occupying a centre-stage position at the heart of the 'evil empire'. Deconstructing Disney takes issue with knee-jerk polarities, overturning classical oppositions and recognising that, just as the Disney 'text' has changed, so too must the terms of critical engagement. If we are interested in the political circumstances that oppress us, then we can never know too much about Disney. This book is a sharply focused deconstruction of the political culture - and the cultural politics - of the Disney canon in the years since the emergence of the so-called New World Order. Eleanor Byrne and Martin McQuillan offer a critical encounter with Disney which alternates between readings of individual texts, and wider thematic concerns such as race, gender and sexuality, the broader context of American contemporary culture, and the global ambitions and insularity of the last great superpower.019003001.
