資料來源: Google Book
Popular theatre in political culture :Britain and Canada in focus
- 作者: Prentki, Tim.
- 其他作者: Selman, Jan.
- 出版: Bristol, UK ;Portland, OR : Intellect 2000.
- 稽核項: 1 online resource (203 pages).
- 標題: Theater and society Canada. , Political aspects. , 1900-1999 , Volkstoneel. , Theater Great Britain -- History -- 20th century. , Theater and society. , Popular culture Great Britain -- History -- 20th century. , History. , Theater. , Popular culture. , Popular culture Canada -- History -- 20th century. , Canada. , Theater and society Great Britain. , PERFORMING ARTS , Theater , Popular culture , Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland. , PERFORMING ARTS Theater -- History & Criticism. , Electronic books. , Theater Canada -- History -- 20th century. , Politieke aspecten. , History , TheaterHistory & Criticism. , Theater and society , Theater Political aspects. , Great Britain.
- ISBN: 1841508470 , 9781841508474
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 201-203).
- 摘要: Annotation
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=73466
- 系統號: 005299344
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The fragmentation of social groups in the face of the global mass media has begun to threaten the survival of popular theatre companies. This study traces the development of various types of community theatre in Britain and Canada, from the '70s to the present day. Attention is drawn to several key issues including: distinctions between popular and mainstream theatre; the Theatre in Education movement; influence of Theatre for Development from Africa and Asia; popular theatre as an art form, a process of self-empowerment and an instrument of cultural intervention. The book follows an innovative structure, integrating a comparative history of popular theatre with the contributions of current, active popular theatre makers. The co-authors, one British, one Canadian, shape their discourses around these contributions so that the the authentic voices are neither mediated nor distorted. The book is thus designed to appeal both to the theatrical practitioner and to the academic.
來源: Google Book
來源: Google Book
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