Beyond aesthetics :art and the technologies of enchantment

  • 其他作者: Pinney, Christopher. , Thomas, Nicholas,
  • 出版: Oxford ;New York : Berg 2001.
  • 稽核項: 1 online resource (vii, 288 pages) :illustrations.
  • 標題: ART , Art and anthropology. , ART General. , Electronic books. , Art and society. , General.
  • ISBN: 100308480X , 9781003084808
  • ISBN: 1859734596 , 9781859734599 , 1859734642 , 9781859734643
  • 試查全文@TNUA:
  • 附註: Includes bibliographical references and index. Romanticism, from Foi Site poetry to Schubert's Winterreise / James F. Weiner -- Agency, history and tradition in the construction of 'classical' music : the debate over 'authentic performance' / Ian Keen -- Why knot? Towards a theory of art and mathematics / Susanne Küchler -- Captivation, representation, and the limits of cognition : interpreting metaphor and metonymy in Tahitian tamau / Anne D'Alleva -- What makes singo different : north Vanuatu textiles and the theory of captivation / Lissant Bolton -- The captivating agency of art : many ways of seeing / Shirley Campbell -- The fame of Trinis : websites as traps / Daniel Miller -- Piercing the skin of the idol / Christopher Pinney -- The politics and personhood of Tibetan Buddhist icons / Clare Harris -- Aboriginal cultural production into art : the complexity of redress / Francesca Merlan -- When the (oven) gloves are off : the Queen's baton -- doing what to whom? / Charlotte Townsend-Gault -- The patent and the Malanggan / Marilyn Strathern.
  • 摘要: The anthropology of art is currently at a crossroads. Although well versed in the meaning of art in small-scale tribal societies, anthropologists are still wrestling with the question of how to interpret art in a complex, post-colonial environment. Alfred Gell recently confronted this problem in his posthumous book Art and Agency. The central thesis of his study was that art objects could be seen, not as bearers of meaning or aesthetic value, but as forms mediating social action. Offering a new overview of the anthropology of art, this book begins where Gell left off. Presenting wide-ranging critiques of the limits of aesthetic interpretation, the workings of objects in practice, the relations between meaning and efficacy and the politics of postcolonial art, its distinguished contributors both elaborate on and dissent from the controversies of Gells important text. Subjects covered include music and the internet as well as ethnographic traditions and contemporary indigenous art. Geographically its case studies range from India to Oceania to North America and Europe. -- Publisher's blurb.
  • 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=74559
  • 系統號: 005299719
  • 資料類型: 電子書
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  • 引用網址: 複製連結