資料來源: Google Book
Culture on the margins :the Black spiritual and the rise of American cultural interpretation
- 作者: Cruz, Jon.
- 出版: Princeton, N.J. : Princeton University Press ©1999.
- 稽核項: 1 online resource (x, 288 pages).
- 標題: Soziologie , Electronic books. , Spirituals (Songs) , History. , Cultuur. , Musik , Printed MusicPiano-Vocal-Guitar. , Instruction & StudyVoice. , SOCIAL SCIENCE , Culture Research -- United States -- History. , Culture Research. , Negrospiritual , MUSIC Printed Music -- Piano-Vocal-Guitar. , ResearchHistory. , SOCIAL SCIENCE Anthropology -- General. , Spirituals (Songs) Social aspects. , African Americans , Social aspects. , MUSIC , MUSIC Instruction & Study -- Voice. , Schwarze. , USA. , Culture , Research. , Spirituals. , AnthropologyGeneral. , United States. , Sozialgeschichte , African Americans. , African Americans Music -- Social aspects.
- ISBN: 1400823218 , 9781400823215
- ISBN: 9780691004730 , 0691004730 , 9780691004747 , 0691004749
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 259-288 p. ) and indexes. The conundrum of authenticity -- Sound barriers and sound management -- From objects to subjects -- From authentic subjects to authentic culture -- From testimonies to artifacts -- Institutionalizing ethnosympathy.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=74696
- 系統號: 005300233
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
In Culture on the Margins, Jon Cruz recounts the "discovery" of black music by white elites in the nineteenth century, boldly revealing how the episode shaped modern approaches to studying racial and ethnic cultures. Slave owners had long heard black song making as meaningless "noise." Abolitionists began to attribute social and political meaning to the music, inspired, as many were, by Frederick Douglass's invitation to hear slaves' songs as testimonies to their inner, subjective worlds. This interpretive shift--which Cruz calls "ethnosympathy"--marks the beginning of a mainstream American interest in the country's cultural margins. In tracing the emergence of a new interpretive framework for black music, Cruz shows how the concept of "cultural authenticity" is constantly redefined by critics for a variety of purposes--from easing anxieties arising from contested social relations to furthering debates about modern ethics and egalitarianism. In focusing on the spiritual aspect of black music, abolitionists, for example, pivoted toward an idealized religious singing subject at the expense of absorbing the more socially and politically elaborate issues presented in the slave narratives and other black writings. By the end of the century, Cruz maintains, modern social science also annexed much of this cultural turn. The result was a fully modern tension-ridden interest in culture on the racial margins of American society that has long had the effect of divorcing black culture from politics.
來源: Google Book
來源: Google Book
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