附註:Includes bibliographical references (pages 223-229) and index.
1. Jungian theory, textual analysis and audience play -- 2. Archetypal images: signification and the psyche -- 3. Archetypal images: symbols and the cultural unconscious -- 4. The Piano, the animus and colonial experience -- 5. The pop star as icon. Androgyny and stardom: cultural meanings of Michael Jackson. A goddess who comes? Madonna as trickster -- 6. The quest of a female hero: The Silence of the Lambs -- 7. Television sport and the sacrificial hero -- 8. The polycentred self: The Passion of Darkly Noon -- 9. Haunted: searching for the whole self -- 10. Transforming the final ghost: the god within -- Glossary of Jungian and related terms.
摘要:Myth, Mind and the Screen is a systematic attempt to apply Jungian theory to the analysis of films (including 2001: A Space Odyssey, The Silence of the Lambs and The Piano) as well as a variety of cultural icons and products such as Madonna, Michael Jackson and televised sport.
