Productive postmodernism :consuming histories and cultural studies
- 其他作者: Duvall, John N.
- 出版: Albany : State University of New York Press ©2002.
- 稽核項: 1 online resource (xiii, 224 pages) :illustrations.
- 叢書名: The SUNY series in postmodern culture
- 標題: Arts 20e siècle. , Arts , AmericanGeneral. , Electronic books. , Arts, Modern 20th century. , LITERARY CRITICISM American -- General. , Arts, Modern. , LITERARY CRITICISM , 1900-1999 , Postmodernisme. , Arts, Modern , Postmodernism.
- ISBN: 0791489469 , 9780791489468
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 207-218) and index. Troping history : modernist residue in Jameson's Pastiche and Hutcheon's Parody / John N. Duvall -- Postmodernism and history : complicitous critique and the political unconscious / Thomas Carmichael -- A mother (and a son, and a brother, and a wife, et. al.) in history : stories galore in Libra and the Warren Commission Report / Stacey Olster -- Donald Barthelme and the president of the United States / Michael Zeitlin -- "Postmodern blackness" : Toni Morrison's Beloved and the end of history / Kimberly Chabot Davis -- Historiographic metafiction and the celebration of differences : Ishmael Reed's Mumbo jumbo / W. Lawrence Hogue -- Troping the Renaissance : postmodern historiography and early modern history / Paul Budra -- Los Angeles, 2019 : two tales of a city / Kevin R. McNamara -- Postmodern casinos / Shelton Waldrep -- Postmodernism and Holocaust memory : productive tensions in the U.S. Holocaust Memorial Museum / Nancy J. Peterson -- "Acting from the midst of identities" : questions from Linda Hutcheon.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=82187
- 系統號: 005301733
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Productive Postmodernism addresses the differing accounts of postmodernism found in the work of Fredric Jameson and Linda Hutcheon, a debate that centers around the two theorists' senses of pastiche and parody. For Jameson, postmodern texts are ahistorical, playing with pastiched images and aesthetic forms, and are therefore unable to provide a critical purchase on culture and capital. For Hutcheon, postmodern fiction and architecture remain political, opening spaces for social critique through a parody that deconstructs official history. Thinking in the space between these two sharply different positions, the essays in this collection investigate a broad range of contemporary fiction, film, and architecture—from such narratives as Don DeLillo's Libra, Toni Morrison's Beloved, and Ridley Scott's Blade Runner, to the vastly different spaces of Las Vegas casinos and the United States Holocaust Memorial Museum—in order to ask what the cultural work of a postmodern aesthetic might be.
來源: Google Book
來源: Google Book
評分