The dark mirror :German cinema between Hitler and Hollywood
- 作者: Koepnick, Lutz P.
- 出版: Berkeley : University of California Press ©2002.
- 稽核項: 1 online resource (xii, 322 pages) :illustrations.
- 叢書名: Weimar and now ;32
- 標題: Motion pictures , Motion pictures Germany -- History. , Producteurs et réalisateurs de cinéma Allemagne -- Biographies. , Motion picture producers and directors , California Los Angeles. , Cinéma Allemagne -- Histoire. , Biographies. , History. , California , Producteurs et réalisateurs de cinéma , PERFORMING ARTS , Film & VideoReference. , Germans. , Histoire. , Allemands Californie -- Los Angeles. , Motion pictures. , PERFORMING ARTS Film & Video -- Reference. , Electronic books. , Motion picture producers and directors. , Cinéma , Allemands , Germans California -- Los Angeles. , Motion picture producers and directors Germany -- Biography. , Germans , Germany.
- ISBN: 0520233115 , 9780520233119
- ISBN: 1597345733 , 9781597345736
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 273-307) and index. Introduction: The Dark Mirror -- pt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany."
- 摘要: "Lutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema." http://www.loc.gov/catdir/description/ucal042/2001007068.html
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=90557
- 系統號: 005302920
- 資料類型: 電子書
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"Lutz Koepnick's The Dark Mirror provides one of the finest, most compelling and suggestive accounts to date of the multiple locations of German cinema between Hitler and Hollywood. Charting the shifting relationships between institutional contexts and individual acts of reception, Koepnick persuasively shows how the German cinema and its filmmakers—both in exile and in Nazi Germany—contributed to a fragile, stratified, indeed, "nonsynchronous" public sphere."—Patrice Petro, author of Aftershocks of the New: Feminism and Film History "Lutz Koepnick's brilliant study debunks the received wisdom concerning Nazi German and Hollywood film of the 1930s and 40s. Using detailed analyses of 8 films, with special focus on sound and music, he insists upon the disjointed contexts and uneven relationships of American and German filmmaking. Historically nuanced and theoretically savvy, this remarkable book offers something for everyone: Americanists, Germanists, historians, students of cinema sound and music, those interested in debates between art and popular forms, and European and Hollywood production."—Caryl Flinn, author of Strains of Utopia
來源: Google Book
來源: Google Book
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