附註:Includes bibliographical references (pages 197-200), filmography (p. 189-195) , and index.
Machine generated contents note: I Patterns of Narrative Organization -- Nonlinear Time: The Killing -- Narrational Gaps: Absence and Presence in Lolita -- Narrative Reversal, Repetition and Points of Convergence -- A Clockwork Orange -- Barry Lyndon -- Eyes Wide Shut -- 2 Time and Space: Part 1 -- The Long-Take Aesthetic -- Individual Films -- Paths of Glory -- Dr. Strangelove -- 2001: A Space Odyssey -- (Time and Space: Part 2 -- Individual Films -- A Clockwork Orange -- Barry Lyndon -- The Shining -- Full Metal Jacket -- Eyes Wide Shut -- 4 Filmic Narration: Part 1 -- Voice-Over -- First-Person Commentary -- Third-Person Commentary -- 5 Filmic Narration: Part 2 -- Filmic Subjectivity -- 2001: A Space Odyssey -- A Clockwork Orange -- The Shining -- Eyes Wide Shut -- Subjectivity versus Objectivity -- 6 Character and Performance -- A Clockwork Orange -- Barry Lyndon -- The Shining -- 7 Final Thoughts -- Appendix -- Narrative Segmentations -- The Killing -- Lolita -- A Clockwork Orange -- Shot Description: Fragment of Dr. Strangelove -- Filmography -- Selected Bibliography -- Index.
