附註:Includes index.
""Title""; ""Copyright""; ""About the Author""; ""Dedication""; ""Acknowledgments""; ""Contents""; ""Introduction""; ""What You'll Find in This Book""; ""Who This Book Is For""; ""How This Book Is Organized""; ""Chapter 1 Film, Video, and Multimedia Technology""; ""A Brief History of Motion Pictures and Film Sound""; ""Thomas Edison's The Sneeze""; ""Sound Technology in the 1920s""; ""Disney's Fantasia""; ""Film Sound Formats""; ""Television and Video Recording""; ""Sound in Star Wars and Apocalypse Now""; ""Internet Video""; ""HDTV""; ""Digital Multimedia Formats""; ""QuickTime""
""MPEG Codecs""""AVI Codec""; ""DV Codec""; ""Flash and Shockwave""; ""Chapter 2 Audio for Film, Video, and Multimedia""; ""The Components of a Soundtrack""; ""Dialog and Narration""; ""Production Audio""; ""Re-Recorded Dialog, or ADR""; ""Narrator/Voiceovers""; ""Voices for Animation""; ""Foley Sounds""; ""Foley Artists and Stages""; ""Creating Foley with Sampling and FX Libraries""; ""Foley from Wild Production Audio""; ""Sound Effects""; ""Ambience""; ""Bigger Than Life Sounds""; ""Imaginary Sounds""; ""Music""; ""How Does Pro Tools Help?""
""The Non-linear, Non-Destructive Editing Model""""QuickTime Movie Support""; ""Automation, Automation, Automation""; ""Multi-channel Mixing""; ""The Standard in Hollywood""; ""Project Workflow""; ""Pre-Production (Planning and Preparing)""; ""What Is The Project Going to Be?""; ""Who Are You Working With?""; ""How Will You Exchange Audio?""; ""Production (Filming and Recording on a Set or on Location)""; ""Keeping in Contact with the Film Crew""; ""Creating Cue Lists from Scripts""; ""Animation Dialog""; ""Gathering Environmental Audio""
""Post-Production (Re-recording, Sweetening, Editing, and Mixing)""""Finalizing Cue Lists""; ""Transferring Audio from the Video Editor""; ""Record Any Additional Audio""; ""Editing Audio to Picture""; ""Mixing Down Tracks to Picture""; ""Delivering Master Recordings (Layback)""; ""Chapter 3 Synchronization and SMPTE Time Code""; ""Synchronization Basics""; ""Positional Reference""; ""Playback Rate""; ""Origin and History of Time Code""; ""Time Code and Film""; ""NTSC versus PAL""; ""Color versus Black and White""; ""Parameters of Time Code""; ""Frame Rates""; ""Frame Count""; ""Drop Frame""
""Non-Drop Frame""""Current Usages and Practices""; ""To Drop or Not to Drop?""; ""2-3 Pull-Down""; ""Film Transfers""; ""Pull-Down Audio Sample Rates""; ""Pull-Up Sample Rates""; ""24p HD Video""; ""SMPTE Time Code Scenarios""; ""NTSC Video to NTSC Video""; ""Film to NTSC Video""; ""Film to Film""; ""24p HD to Video""; ""24p HD to Film (or 24p HD)""; ""Film to 24p HD""; ""Chapter 4 Getting Started with Pro Tools and Video""; ""Hooking Up Your Equipment""; ""Typical Equipment Setups""; ""Audio Suite within a Multi-Room Facility""; ""Single-Room Audio Studio""; ""Home or Project Studio""
