資料來源: Google Book
Whisky Galore! ;and, the Maggie
- 作者: McArthur, Colin.
- 出版: London ;New York :New York : I.B. Tauris ;Distributed in the U.S.A. and Canada by Palgrave Macmillan 2003.
- 稽核項: 1 online resource (104 pages) :illustrations.
- 叢書名: British film guide , Cinema and society
- 標題: PERFORMING ARTS , Film. , Whisky galore! , Whisky galore! (Motion picture) , Electronic books. , Whisky galore! (Motion picture : 1949) , Film & VideoHistory & Criticism. , Maggie <Film> , Individual film directors, film-makers. , PERFORMING ARTS Film & Video -- History & Criticism. , Maggie (Motion picture) , Music, Dance, Drama & Film.
- ISBN: 0857717898 , 9780857717894
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 103-104). Cover; Film Credits; Introduction: The Critical Question; Contents; Illustrations; Illustrations /vi; 1 The Moment(s) of Whisky Galore! and The Maggie; Acknowledgements; Film Credits; Introduction: The Critical Question; ONE The Moment(s) of Whisky Galore! and The Maggie; TWO Inside Whisky Galore! and The Maggie; THREE Post-production: Marketing and Consuming; Notes; Sources
- 摘要: Colin McArthur covers two films, both made by Alexander Mackendrick. Whisky Galore! appeared in 1949 in post-war 'austerity Britain' and The Maggie in 1953 when Britain was emerging into relative affluence. Both films are Ealing Studios productions, providing the opportunity to explore this remarkable outfit, and both offer distinct and fascinating representations of Scotland and the Scots.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=111484
- 系統號: 005308849
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Alexander Mackendrick's first feature film "Whisky Galore!" (1949), based on the novel by Compton Mackenzie, pits the crafty islanders of Todday against the Customs and Excise men trying to halt their illegal consumption of whisky. His film "The Maggie", the adventures of a decrepit River Clyde cargo boat, was released in 1953. Both films offer distinctive representations of Scotland and the Scots, a theme that Colin McArthur pursues in this lively guide to the two films. He explores the wider context of a Britain experiencing and emerging from post-war austerity, as well as the role of Ealing Studios, for which Mackendrick made both films. McArthur examines the tastes and perceptions of reviewers and audiences, both British and American, at the time of the films' release, as well as changed contemporary perspectives. He pays particular attention to the career of Alexander Mackendrick and offers the controversial argument that while their representations of "Scottishness" may be suspect, the films themselves are of great artistic integrity and accomplishment.
來源: Google Book
來源: Google Book
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