Straight :constructions of heterosexuality in the cinema
- 作者: Dixon, Wheeler W.,
- 出版: Albany : State University of New York Press ©2003.
- 稽核項: 1 online resource (xiii, 204 pages) :illustrations.
- 叢書名: SUNY series, cultural studies in cinema/video
- 標題: Masculinité au cinéma. , PERFORMING ARTS , Man-woman relationships in motion pictures. , Masculinity in motion pictures. , Film & VideoReference. , Rôle selon le sexe au cinéma. , PERFORMING ARTS Film & Video -- Reference. , Electronic books. , Sex role in motion pictures. , Relations entre hommes et femmes au cinéma. , Electronic book.
- ISBN: 0791487334 , 9780791487334
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 161)-179) and index.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=112736
- 系統號: 005308866
- 資料類型: 電子書
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- 引用網址: 複製連結
straight / 'strāt (adj.) . . . without curves . . . correct . . . honest . . . not deviating from the normal . . . conventional . . . Heterosexual Practically all mainstream cinema is "straight," and has been since its inception. In Straight, Wheeler Winston Dixon explores how heterosexual performativity has been constructed in film, from early cinema to the present day. In addition to discussing how cinematic visions of masculine and feminine desire have been commodified and sold to reinforce existing societal constructs, Dixon also documents the recent emergence of "hypermasculinity," a kinetic and exaggerated masculinity that has been created to counter the more gentle, thoughtful male portrayed in While You Were Sleeping, Sleepless in Seattle, and other films that seemingly threaten the established order of patriarchal cinematic discourse.
來源: Google Book
來源: Google Book
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