附註:Includes bibliographical references (pages 244-253) and indexes.
I've seen this one before : the construction of 'classic TV' on cable television / Derek Kompare -- Selling soap : post-war television soap opera and the American housewife / Kristen Hatch -- Study of a mad housewife : psychiatric discourse, the suburban home and the case of Gracie Allen / Allison McCracken -- Lessons from Uncle Miltie : ethnic masculinity and early television's vaudeo star / Susan Murray -- Nothin' could be finah : The Dinah Shore Chevy show / Lola Clare Bratten -- Re-made for television : Hedy Lamarr's post-war star textuality / Diane Negra -- Maureen O'Hara's 'Confidential' life : recycling stars through gossip and moral biography / Mary Desjardins -- Matinee theater : difference, compromise and the 1950s daytime audience / Matthew Murray -- The BBC and the birth of The Wednesday Play, 1962-66 : institutional containment versus 'agitational contemporaneity' / Madeleine MacMurraugh-Kavanagh -- Mystery and imagination : anatomy of a Gothic anthology series / Helen Wheatley -- Exploiting the intimate screen : The quartermass experiment, fantasy and the aesthetic potential of early television drama / Catherine Johnson -- This week in 1956 : the introduction of current affairs on ITV / Victoria Wegg-Prosser -- Women at work : popular drama on British television c1955-60 / Janet Thumim -- Crackint open the set : television repair and tinkering with gender, 1949-1955 / Lisa Parks.
摘要:Small Screens, Big Ideas brings together specially commissioned writings from British and American contributors to explore themes of diversity in the formative period of the 1950s. With radical changes taking place in terrestrial television, this is a timely moment to revisit the decade when television's very novelty was its most striking feature. Discussing television's role in the construction of national and gender identities and its relation to other media such as theatre, film, and radio, this fresh exploration is based on detailed case-studies of this complex era.
