Disgust :the theory and history of a strong sensation
- 作者: Menninghaus, Winfried.
- 出版: Albany : State University of New York Press ©2003.
- 稽核項: 1 online resource (viii, 471 pages) :illustrations.
- 叢書名: Intersections
- 標題: Esthétique , MovementsHumanism. , Aversion dans la littérature. , Aversion dans l'art. , PHILOSOPHY , Esthétique 19e siècle. , Emotions in art. , PHILOSOPHY Movements -- Humanism. , Émotions dans l'art. , Aversion in literature. , Electronic books. , Esthétique 18e siècle. , Aversion. , Esthétique 20e siècle. , Aesthetics, Modern.
- ISBN: 0791486311 , 9780791486313
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 453-471) and index.
- 摘要: "In Disgust, Winfried Menninghaus provides a comprehensive account of the significance of this forceful emotion in philosophy, aesthetics, literature, the arts, psychoanalysis, and theory of culture from the eighteenth century to the present. Topics addressed include the role of disgust as both a cognitive and moral organon in Kant and Nietzsche; the history of the imagination of the rotting corpse; the counter-cathexis of the disgusting in Romantic poetics and its modernist appeal ever since; the affinities of disgust and laughter and the analogies of vomiting and writing; the foundation of Freudian psychoanalysis in a theory of disgusting pleasures and practices: the association of disgusting "otherness" with truth and the trans-symbolic "real" in Bataille, Sartre, and Kristeva; Kafka's self-representation as an "Angel" of disgusting smells and acts, concealed in a writerly stance of uncompromising "purity"; and recent debates on "Abject Art.""--Jacket.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=117232
- 系統號: 005310281
- 資料類型: 電子書
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- 引用網址: 複製連結
Disgust (Ekel, dégoût) is a state of high alert. It acutely says "no" to a variety of phenomena that seemingly threaten the integrity of the self, if not its very existence. A counterpart to the feelings of appetite, desire, and love, it allows at the same time for an acting out of hidden impulses and libidinal drives. In Disgust, Winfried Menninghaus provides a comprehensive account of the significance of this forceful emotion in philosophy, aesthetics, literature, the arts, psychoanalysis, and theory of culture from the eighteenth century to the present. Topics addressed include the role of disgust as both a cognitive and moral organon in Kant and Nietzsche; the history of the imagination of the rotting corpse; the counter-cathexis of the disgusting in Romantic poetics and its modernist appeal ever since; the affinities of disgust and laughter and the analogies of vomiting and writing; the foundation of Freudian psychoanalysis in a theory of disgusting pleasures and practices; the association of disgusting "otherness" with truth and the trans-symbolic "real" in Bataille, Sartre, and Kristeva; Kafka's self-representation as an "Angel" of disgusting smells and acts, concealed in a writerly stance of uncompromising "purity"; and recent debates on "Abject Art."
來源: Google Book
來源: Google Book
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