National identity, popular culture and everyday life
- 作者: Edensor, Tim,
- 出版: Oxford ;New York : Berg Publishers ©2002.
- 稽核項: 1 online resource (viii, 216 pages).
- 標題: Ethnopsychology , AnthropologyCultural. , Electronic books. , Culture populaire. , SOCIAL SCIENCE , popular culture. , SOCIAL SCIENCE Popular Culture. , Popular Culture , POLITICAL SCIENCE Public Policy -- Cultural Policy. , Public PolicyCultural Policy. , SOCIAL SCIENCE Anthropology -- Cultural. , Caractéristiques nationales. , Popular culture. , Ethnopsychology. , POLITICAL SCIENCE , ethnopsychology. , Ethnopsychologie. , National characteristics. , Popular Culture.
- ISBN: 1859735142 , 9781859735145
- ISBN: 1859735142 , 1859735193 , 9781859735145 , 9781859735190
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 191-207) and index. Popular culture, everyday life and the matrix of national identity. Theories of nationalism : reductive cultural perspectives. Popular culture and national identity. Everyday life and national identity. Conceptualising identity. The redistribution of national identity -- Geography and landscape : national places and spaces. The nation as bounded space. Ideological rural national landscapes. Iconic sites. Sites of popular culture and assembly. Familiar, quotidian landscapes. Dwellingscapes. Homely space. Conclusion -- Performing national identity. Formal rituals and invented ceremonies. Popular rituals : sport and carnival. Staging the nation. Everyday performances : popular competencies, embodied habits and synchronised enactions. Conclusion -- Material culture and national identity. Social relations and object worlds. Commodities and national identity. Material culture and semiotics. Things in place and out of place. The biographies of objects. Automobiles and national car cultures. Conclusion -- Representing the nation : scottishness and Braveheart. Introducing Braveheart. Scotland in film. Battles over Braveheart. Celebrating Braveheart. Criticising Braveheart. Recycling images : the tourist industry, heritage and film in Scotland. Geographies of William Wallace. Other representations of Wallace. Performances and rituals : re-presenting Wallace. The reception of Braveheart outside Scotland. Conclusion -- Exhibiting national identity at the turn of the millennium. 'Self-portrait' at the Millennium Dome. The 'andscape'. Interpretation of the 'andscape'.
- 摘要: The Millennium Dome, Braveheart and Rolls Royce cars. How do cultural icons reproduce and transform a sense of national identity? How does national identity vary across time and space, how is it contested, and what has been the impact of globalizatio n upon national identity and culture? This book examines how national identity is represented, performed, spatialized and materialized through popular culture and in everyday life. National identity is revealed to be inherent in the things we of ten take for granted - from landscapes and eating habits, to tourism, cinema and music. Our specific.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=108870
- 系統號: 005310850
- 資料類型: 電子書
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- 引用網址: 複製連結
The Millennium Dome, Braveheart and Rolls Royce cars. How do cultural icons reproduce and transform a sense of national identity? How does national identity vary across time and space, how is it contested, and what has been the impact of globalization upon national identity and culture? This book examines how national identity is represented, performed, spatialized and materialized through popular culture and in everyday life. National identity is revealed to be inherent in the things we often take for granted ñ from landscapes and eating habits, to tourism, cinema and music. Our specific experience of car ownership and motoring can enhance a sense of belonging, whilst Hollywood blockbusters and national exhibitions provide contexts for the ongoing, and often contested, process of national identity formation. These and a wealth of other cultural forms and practices are explored, with examples drawn from Scotland, the UK as a whole, India and Mauritius. This book addresses the considerable neglect of popular cultures in recent studies of nationalism and contributes to debates on the relationship between 'high' and 'low' culture.
來源: Google Book
來源: Google Book
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