Charms that soothe :classical music and the narrative film
- 作者: Duncan, Dean W.
- 出版: New York : Fordham University Press 2003.
- 版本: 1st ed.
- 稽核項: 1 online resource (viii, 211 pages).
- 叢書名: Communications and media studies,no. 9
- 標題: Motion picture music. , MUSIC Instruction & Study -- Theory. , Theatre, Film and Television Studies , Motion picture music History. , Filmmusik , Musik , Electronic books. , Filmmuziek. , Film, Musique de Histoire. , Music, Dance, Drama & Film. , History. , Instruction & StudyTheory. , Criticism, interpretation, etc. , Films. , Motion picture music , History and criticism. , Film. , Klassieke muziek. , Histoire. , Cinéma et musique. , MUSIC , Histoire et critique. , Motion pictures and music. , Music. , Film, Musique de , Film, Musique de Histoire et critique. , Motion picture music History and criticism. , Music History & Criticism, Vocal.
- ISBN: 0823222802 , 9780823222803
- ISBN: 1522-385X ;
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 189-201) and index. Interdiscipline and the place of classical music in film studies -- Film music and the musical community -- Sound montage and counterpoint analogies -- Narration, program, and narrative -- Interpreting classical music in film -- Summary, conclusions, and implications.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=113784
- 系統號: 005311010
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
"[Book title] explores two major areas of interest. First, [author] examines the historical, social, and critical contexts of the debates between music advocates and the music establishment over the uses of serious music in cinema. Next, he elaborates a model for understanding the relationship of film to film music: as film-musical counterpoint, expressed in the Soviet cinematic avant-garde, and as an essential programmatic component to the narrative film."--Page 4 of cover.
來源: Google Book
來源: Google Book
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