After Adorno :rethinking music sociology
- 作者: DeNora, Tia.
- 其他作者: Adorno, Theodor W.,
- 出版:
- 稽核項: 1 online resource (xv, 176 pages) :illustrations.
- 標題: Musique Aspect social. , Aspect social. , Genres & StylesClassical. , MUSIC Reference. , Philosophy and aesthetics. , Electronic books. , Philosophie et esthétique. , MUSIC Genres & Styles -- Classical. , Music Social aspects. , Musique Philosophie et esthétique. , Social aspects. , Music , Musique , Reference. , Music Philosophy and aesthetics. , MUSIC
- ISBN: 0511308507 , 9780511308505
- ISBN: 9780521830256 , 0521830257 , 9780521537247 , 052153724X
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 159-167) and index. Adorno, "defended against his devotees"? -- New methods and classic concerns -- Music as cognition -- How does music "channel" emotion? -- Music and "control" -- After Adorno : rethinking music sociology.
- 摘要: "Theodor W. Adorno placed music at the centre of his critique of modernity and broached some of the most important questions about the role of music in contemporary society. One of his central arguments was that music, through the manner of its composition, affected consciousness and was a means of social management and control. His work was primarily theoretical, however, and because these issues were never explored empirically his work has become sidelined in current music sociology. This book argues that music sociology can be greatly enriched by a return to Adorno's concerns, in particular his focus on music as a dynamic medium of social life. Intended as a guide to 'how to do music sociology', this book deals with critical topics too often sidelined such as aesthetic ordering, cognition, the emotions and music as a management device, and reworks Adorno's focus through a series of grounded examples."--Publisher's description.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=120701
- 系統號: 005313163
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
"Theodor W. Adorno placed music at the centre of his critique of modernity and broached some of the most important questions about the role of music in contemporary society. One of his central arguments was that music, through the manner of its composition, affected consciousness and was a means of social management and control. His work was primarily theoretical, however, and because these issues were never explored empirically his work has become sidelined in current music sociology. This book argues that music sociology can be greatly enriched by a return to Adorno's concerns, in particular his focus on music as a dynamic medium of social life. Intended as a guide to 'how to do music sociology', this book deals with critical topics too often sidelined such as aesthetic ordering, cognition, the emotions and music as a management device, and reworks Adorno's focus through a series of grounded examples."--Publisher's description.
來源: Google Book
來源: Google Book
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