資料來源: Google Book
Street scenes :Brecht, Benjamin and Berlin
- 作者: Whybrow, Nicolas.
- 出版: Bristol ;Portland, Or. : Intellect 2005.
- 稽核項: 1 online resource (1 volume) :illustrations.
- 標題: TheaterHistory & Criticism. , Benjamin, Walter Motiv -- Berlin. , Benjamin, Walter, 1892-1940 Critique et interprétation. , 1900-1999 , Germany Berlin. , Deutsche Literatur , Résidences et lieux familiers , Théâtre , Berlin Motiv -- Deutsche Literatur. , Theater Germany -- Berlin -- History -- 20th century. , Brecht, Bertolt, 1898-1956 Critique et interprétation. , Brecht, Bertolt Motiv -- Berlin. , Berlin (Allemagne) dans la littérature. , Berlin , History. , Theater. , Benjamin, Walter. , Benjamin, Walter, , Germany , Deutschland. , Théâtre Allemagne -- Berlin -- Histoire -- 20e siècle. , MotivDeutsche Literatur. , Brecht, Bertolt , Berlin (Stadt, Deutschland) , Toneel. , PERFORMING ARTS , Deutsche Literatur Motiv -- Berlin. , Theater , Rues Allemagne -- Berlin -- Histoire. , Critique et interprétation. , Brecht, Bertolt, 1898-1956. , Streets , Brecht, Bertolt, , Histoire. , PERFORMING ARTS Theater -- History & Criticism. , Place (Philosophy) in literature. , Brecht, Bertolt. , Electronic books. , History , Lieu (Philosophie) dans la littérature. , Berlin <Motiv> , Histoire , Brecht, Bertolt, 1898-1956 Résidences et lieux familiers -- Allemagne -- Berlin. , Streets Germany -- Berlin -- History. , Rues , Motiv , Benjamin, Walter
- ISBN: 1841509086 , 9781841509082
- ISBN: 128047694X , 9781280476945 , 184150114X , 9781841501147
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- 附註: Includes bibliographical references and index.
- 摘要: Always the focal point in modern times for momentous political, social and cultural upheaval, Berlin has continued, since the fall of the Wall in 1989, to be a city in transition. As the new capital of a reunified Germany it has embarked on a journey of rapid reconfiguration, involving issues of memory, nationhood and ownership. Bertolt Brecht, meanwhile, stands as one of the principal thinkers about art and politics in the 20th century. The 'Street Scene' model, which was the foundation for his theory of an epic theatre, relied precisely on establishing a connection between art's functioning.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=108335
- 系統號: 005313183
- 資料類型: 電子書
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- 引用網址: 複製連結
Always the focal point in modern times for momentous political, social and cultural upheaval, Berlin has continued, since the fall of the Wall in 1989, to be a city in transition. As the new capital of a reunified Germany it has embarked on a journey of rapid reconfiguration, involving issues of memory, nationhood and ownership. Bertolt Brecht, meanwhile, stands as one of the principal thinkers about art and politics in the 20th century. The 'Street Scene' model, which was the foundation for his theory of an epic theatre, relied precisely on establishing a connection between art's functioning and everyday life. His preoccupation with the ceaselessness of change, an impulse implying rupture and movement as the key characteristics informing the development of a democratic cultural identity, correlates resonantly with the notion of an ever-evolving city. Premised on an understanding of performance as the articulation of movement in space, Street Scenes interrogates what kind of 'life' is permitted to 'flow' in the 'new Berlin'. Central to this method is the flaneur figure, a walker of streets who provides detached observations on the revealing 'detritus of modern urban existence'. Walter Benjamin, himself a native of Berlin as well as friend and seminal critic of Brecht, exercised the practice in exemplary form in his portrait of the city One-Way Street.
來源: Google Book
來源: Google Book
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