附註:Includes bibliographical references and index.
CONTENTS -- ABBREVIATIONS -- INTRODUCTION: AT THE INTERSECTION OF OLD AND NEW PATHS -- PART I: Schumann�s One and Only Schubert -- 1. SCHUMANN AND SCUBERT'S IMMORTAL PIANO TRIO IN E FLAT, D. 929 -- 2. THE GESTUS OF REMEMBERING: SCHUMANN'S CRITIQUE OF SCHUBERT'S IMPROMPTUS, D. 935 -- PART II: Uttering “Clara� in Tones -- 3. SCHUMANN: CRYPTOGHAPHER OR PICTOGRAPHER? -- 4. BRAHMS'S MUSICAL CIPHERS: ACTS OF HOMAGE AND GESTURES OF EFFACEMENT -- 5. THE FOLDED FAN -- PART III: A Noble Model -- 6. TRANSCENDENTAL CHESS GAMES
7. brahms, the schumann circle, and the style hongrois: contexts for the double concerto, op. 102epilogue: crossing paths and modes of experiance -- notes -- index -- a -- b -- c -- d -- e -- f -- g -- h -- i -- j -- k -- l -- m -- n -- o -- p -- r -- s -- t -- u -- v -- w
摘要:John Daverio explores the connections between art and life in the works of Schumann, Brahms and Schubert. He considers topics including Schubert and Schumann's ability to evoke memory in music, the supposed cryptographic practices of Schumann and Brahms, and the allure of the Hungarian Gypsy style.
