The drama of fallen France :reading la comédie sans tickets
- 作者: Krauss, Kenneth,
- 出版: Albany : State University of New York Press ©2004.
- 稽核項: 1 online resource (xxii, 257 pages) :illustrations.
- 標題: French drama. , Guerre mondiale, 1939-1945 , 1900-1999 , Résistance au gouvernement dans la littérature. , World War, 1939-1945 France -- Theater and the war. , Théâtre et guerre. , French drama 20th century -- History and criticism. , Thèmes, motifs. , History. , Theater. , Guerre mondiale, 1939-1945 France -- Théâtre et guerre. , Criticism, interpretation, etc. , French drama , History and criticism. , Theater , War and theater. , Theater and the war. , DRAMA , Theater France -- History -- 20th century. , World War, 1939-1945 , Electronic books. , Théâtre français 20e siècle -- Thèmes, motifs. , France , DRAMA Continental European. , History , France Histoire -- 1940-1945 (Occupation allemande), dans la littérature. , Government, Resistance to, in literature. , Continental European. , Histoire , France History -- German occupation, 1940-1945. , France. , Théâtre français
- ISBN: 079148579X , 9780791485798
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 235-248) and index. A queer premiere: Jean Cocteau's The Typewriter -- Collabo Beefcake and resistant reception: ambiguity in André Obey's Eight Hundred Meters and The Suppliant Women -- French Identity: the intended audience for Jean Giraudoux's The Apollo of Marsac -- The limits of opportunism: Simone Jollivet's The Princess of Ursins -- The politics of intention: Jean Anouilh's Antigone via Oreste -- The politics of reception: Jean-Paul Sartre's The Flies -- A politics of sexuality: Henry de Montherlant's Nobody's Son -- The politics of impersonation: Casting and recasting Paul Claudel's The Satin Slipper -- Catching The Last Mʹetro: Francois Truffaut's Portrayal of Occupation Drama and Sexuality.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=127086
- 系統號: 005314298
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The Drama of Fallen France examines various dramatic works written and/or produced in Paris during the four years of Nazi occupation and explains what they may have meant to their original audiences. Because of widespread financial support from the new French government at Vichy, the former French capital underwent a renaissance of theatre during this period, and both the public playhouses and the private theatres provided an amazing array of new productions and revivals. Some of the plays considered here are well known: Anouilh's Antigone, Sartre's The Flies, Claudel's The Satin Slipper. Others have remained obscure, such as Cocteau's The Typewriter, Giraudoux's The Apollo of Marsac, and Montherlant's Nobody's Son; and two—André Obey's Eight Hundred Meters and Simone Jollivet's The Princess of Ursins—have remained virtually unread since the early 1940s. In examining French culture under the Vichy regime and the Nazis, Kenneth Krauss links the politics of gender and sexuality with the more traditional political concepts of collaboration and resistance. A final chapter on Truffaut's 1980 film, The Last Métro, demonstrates how the present manages to rewrite and revision the complex and seemingly contradictory reality of the past.
來源: Google Book
來源: Google Book
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