附註:Includes bibliographical references (pages 287-297) and index.
The historic musical instrument -- Categorization -- The silent artisan -- Currency -- Conservation -- Restoration -- Form and substance -- Sparing the original -- Criticism and critique -- Glenn Gould's 'working' piano -- The Amati Quartet -- A barrel organ by Richard Coates -- Virginals by Marco Jadra -- The opus collection -- Benton Fletcher's Kirckman harpsichord -- Glenn Gould's favourite piano -- The oldest English fortepiano? -- The confidence of currency -- The assurance of conservation -- Dissonance in restoration -- Running the clock back -- Historic music without penalty -- Last words.
