Picturing the self :changing views of the subject in visual culture
- 作者: Doy, Gen.
- 出版: London : I.B. Tauris 2005.
- 稽核項: 1 online resource (xii, 257 pages, 8 unnumbered pages of plates) :illustrations (some color), portraits (some color).
- 標題: Self. , ART , Theory of art. , Reference. , ART Reference. , ART Performance. , Performance. , Electronic books. , Art.
- ISBN: 0857715658 , 9780857715654
- ISBN: 9781850434122 , 1850434123 , 9781850434139 , 1850434131 , 128252755X , 9781282527553
- 試查全文@TNUA:
- 附註: Includes bibliographical references and index. List of Plates; Acknowledgements; Introduction; Chapter 1 -- I think therefore I look ... ; Chapter 2 -- Subjects and Pictures; Chapter 3 -- Bodie and Selves; Chapter 4 -- Focusing on the Self; Chapter 5 -- The Real Me; Chapter 6 -- Self-Determinations; Conclusion; Notes; Select Bibliography; Index.
- 摘要: Ideas of selfhood, from Descartes' theory of "I think therefore I am" to postmodern notions of the fragmented and de-centred self, have been crucial to the visual arts. Gen Doy explores this relationship, from Holbein's "Ambassadors" and the early modern period up to and beyond Marc Quinn's "Self" (Blood Head). Arguing that the importance of subjectivity for art goes far beyond self-portraits, she explores such topics as self-expression; the self, work and consumption; self-presentation; photography and the theatre of the self; the marginalized - beggars and asylu.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=125781
- 系統號: 005315404
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Ideas of selfhood, from Descartes' theory of "I think therefore I am" to postmodern notions of the fragmented and de-centred self, have been crucial to the visual arts. Gen Doy explores this relationship, from Holbein's "Ambassadors" and the early modern period up to and beyond Marc Quinn's "Self" (Blood Head). Arguing that the importance of subjectivity for art goes far beyond self-portraits, she explores such topics as self-expression; the self, work and consumption; self-presentation; photography and the theatre of the self; the marginalized - beggars and asylum seekers - and "the real me". A wide range of artists, including Tracey Emin, Jeff Wall, Eugene Palmer and Karen Knorr, are discussed, as well as historical material from earlier periods.
來源: Google Book
來源: Google Book
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