資料來源: Google Book
Exact imagination, late work :on Adorno's Aesthetics
- 作者: Nicholsen, Shierry Weber.
- 出版: Cambridge, Mass. : MIT Press c1997.
- 稽核項: 270 p. ;21 cm.
- 叢書名: Studies in contemporary German social thought.
- 標題: Adorno, Theodor W., 1903-1969. , Aesthetics, Modern , Adorno, Theodor W. , Aesthetics, Modern 20th century. , Adorno, Theodor W., , Adorno, Theodor W. (Theodor Wiesengrund), 1903-1969.
- ISBN: 0262140624 , 9780262140621
- 附註: 九十二年度教育部「輔導新設國立大學健全發展計畫」藏書. Includes bibliographical references (p. [249]-259) and index.
- 系統號: 005247635
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
"Nicholsen's "Exact Imagination, Late Work" is the distilled, reflected product of countless hours alongside, and deeply within, Adorno's languages. Her brilliant achievement here is to have demonstrated the emphatic intimacy between Adorno's aesthetics and his compositions." -- Tom Huhn, College of Letters and Philosophy Department, Wesleyan University Most English-language writing on Theodor Adorno has attempted to place him in various contexts and to differentiate him from other thinkers. Such work, while important, marks our failure to appropriate Adorno's ideas imaginatively. In "Exact Imagination, Late Work," Nicholsen proposes such an appropriation through a focus on the centrality of the aesthetic dimension in Adorno. Adorno uses the term "exact imagination" to mark the conjunction of knowledge, subjective experience, and aesthetic form. Exact imagination, as distinct from creative imagination, thus describes a form of nondiscursive rationality. According to Adorno, exact imagination discovers or produces truth by reconfiguring the material at hand; thus, knowledge is inseparable from the configurational form imagination gives it. "Late work" is characterized by the disjunction of subjectivity and objectivity. In its attempt to grasp late phenomena, Adorno's oeuvre itself takes on the form of late work. Exact imagination and late work mark the bounds of Nicholsen's exploration. The five interlocked essays, based on material from Adorno's "aesthetic writings, " take up such issues as subjective aesthetic experience, the historicity of artworks and our experience of them, Adorno's conception of language, the nature of configurationalor constellational form in Adorno's work, and the relation between the artwork, aesthetic experience, and philosophy. A subtext is the unraveling of Adorno's use of the ideas of his colleague Walter Benjamin. Nicholsen's essays themselves can be perceived as a constellation of their own around the central issue of the inseparability of form in its aesthetic dimension and nondiscursive rationality.
來源: Google Book
來源: Google Book
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