附註:Includes bibliographical references (pages 243-245) and index.
INTRODUCTION; 1 EARLY WORKS (1965-68); IT'S GONNA RAIN (1965); COME OUT-MELODICA-PIANO PHASE (1966-67); VIOLIN PHASE (1967); SLOW MOTION SOUND (1967); MY NAME IS (1967); PENDULUM MUSIC (1968); 2a: EXCERPTS FROM AN INTERVIEW IN ART FORUM; 2b: MUSIC AS A GRADUAL PROCESS (1968); 3 WAVELENGTH BY MICHAEL SNOW (1968); 4 THE PHASE SHIFTING PULSE GATE-FOUR ORGANS- PHASE PATTERNS AN END TO ELECTRONICS (1968-70); 5 SOME OPTIMISTIC PREDICTIONS (1970) ABOUT THE FUTURE OF MUSIC; 6 FIRST INTERVIEW WITH MICHAEL NYMAN (1970); 7 GAHU-A DANCE OF THE EWE TRIBE IN GHANA (1971); 8 DRUMMING (1971).
9 CLAPPING MUSIC (1972)10 POSTSCRIPT TO A BRIEF STUDY OF BALINESE AND AFRICAN MUSIC (1973); 11 NOTES ON MUSIC AND DANCE (1973); 12 SIX PIANOS (1973); 13 MUSIC FOR MALLET INSTRUMENTS, VOICES, AND ORGAN (1973); 14 MUSIC FOR PIECES OF WOOD (1973); 15 STEVE REICH AND MUSICIANS (1973); 16 MUSIC AND PERFORMANCE (1969-74; 1993); 17a: VIDEOTAPE AND A COMPOSER (1975); 17b: DACHAU 1974, BY BERYL KOROT; 18 MUSIC FOR 18 MUSICIANS (1976); 19 SECOND INTERVIEW WITH MICHAEL NYMAN (1976); 20 MUSIC FOR A LARGE ENSEMBLE (1978); 21 OCTET (1979); 22 VARIATIONS FOR WINDS, STRINGS, AND KEYBOARDS (1979).
23 TEHILLIM (1981)24 HEBREW CANTILLATION AS AN INFLUENCE ON COMPOSITION (1982); 25 VERMONT COUNTERPOINT (1982); 26 EIGHT LINES (1983); 27 THE DESERT MUSIC (1984); NOTE BY THE COMPOSER; TEXT BY WILLIAM CARLOS WILLIAMS; 28 THE DESERT MUSIC- STEVE REICH IN CONVERSATION WITH JONATHAN COTT (1984); 29 SEXTET (1985); 30 NEW YORK COUNTERPOINT (1985); 31 THREE MOVEMENTS (1986); 32 SIX MARIMBAS (1986); 33 TENNEY (1986); 34 TEXTURE-SPACE-SURVIVAL (1987); 35 THE FOUR SECTIONS (1987); 36 ELECTRIC COUNTERPOINT (1987); 37 NON-WESTERN MUSIC AND THE WESTERN COMPOSER (1988); 38 DIFFERENT TRAINS (1988).
39 CHAMBER MUSIC-AN EXPANDED VIEW (1989)40 QUESTIONNAIRE (1989); 41 ON THE SIZE AND SEATING OF AN ORCHESTRA (1990); 42 AARON COPLAND (1990); 43 JOHN CAGE (1992); 44 KURT WEILL, THE ORCHESTRA, AND VOCAL STYLE- AN INTERVIEW WITH K. ROBERT SCHWARZ (1992); 45 THE CAVE (1993): A NEW TYPE OF MUSIC THEATER WITH BERYL KOROT SYNOPSIS; 46 JONATHAN COTT INTERVIEWS BERYL KOROT AND STEVE REICH ON THE CAVE (1993); 47 THOUGHTS ABOUT THE MADNESS IN ABRAHAM'S CAVE (1994) WITH BERYL KOROT; 48 ANSWERS TO QUESTIONS ABOUT DIFFERENT TRAINS (1994); 49 DUET (1994); 50 NAGOYA MARIMBAS (1994).
51 THE FUTURE OF MUSIC FOR THE NEXT 150 YEARS (1994)52 BEAUTIFUL/UGLY (1994); 53 SCHÖNBERG (1995); 54 CITY LIFE (1995); 55 PROVERB (1995); 56 MUSIC AND LANGUAGE (1996); 57 FELDMAN (1997); 58 BERIO (1997); 59 THREE TALES (1998-2002) WITH BERYL KOROT; 60 TRIPLE QUARTET (1999); 61 KNOW WHAT IS ABOVE YOU (1999); 62 TWO QUESTIONS ABOUT OPERA (1999); 63 LIGETI (2000); 64 DE KEERSMAEKER, KYLIAN, AND EUROPEAN DANCE (2000); 65 STEVE REICH IN CONVERSATION WITH PAUL HILLIER (2000); TEXT CREDITS; BIBLIOGRAPHY; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y.
摘要:A collection of the composer Steve Reich's writings on music, from his 1968 essay, "Music as a Gradual Process," which was the founding call for the development of Minimalism, to his work on non-Western music such as the Balinese and African influences that contributed to well-known compositions such as "Drumming." There are 64 articles by Reich in the collection, which culminates in an interview between Reich and Paul Hiller, well-known in his own right as a performer and leader of the experimental ensemble "Theatre of Voices."
