資料來源: Google Book
Consuming literature :best sellers and the commercialization of literary production in contemporary China
- 作者: Kong, Shuyu.
- 出版: Stanford, Calif. : Stanford University Press 2005.
- 稽核項: 1 online resource (x, 241 pages).
- 標題: LANGUAGE ARTS & DISCIPLINES , Electronic books. , Publishers and publishing China. , Literaturproduktion , Booksellers and bookselling. , Publishing. , Librairie , Publishers and publishing , Kommerzialisierung , LANGUAGE ARTS & DISCIPLINES Publishing. , Publishers and publishing. , Literatur , Booksellers and bookselling China. , China , Édition Chine. , Édition , Chinesisch. , China. , Booksellers and bookselling , Librairie Chine.
- ISBN: 0804767378 , 9780804767378
- ISBN: 0804749396 , 080474940X , 9780804749398 , 9780804749404
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 225-234) and index. Breaking Away: Writers as Cultural Entrepreneurs -- Publishing Houses: Creating a Best Seller Machine -- "Second Channel": Book Dealers, Agents, and Studios -- The Economics of Privacy: Publishing Women's Writing -- Translating Foreign Literature: From Elitism to Populism -- Literary Journals: Between a Rock and a Hard Place -- Conclusion: Literature in a Multimedia Millennium.
- 摘要: Shuyu Kong examines the changes taking place in literary writing & publishing in contemporary China under the influence of the emerging market economy. The author focuses on the revival of literary best sellers in the Chinese book market & the establishment of a best-seller production machine.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=136141
- 系統號: 005319178
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
This book examines the changes taking place in literary writing and publishing in contemporary China under the influence of the emerging market economy. It focuses on the revival of literary best sellers in the Chinese book market and the establishment of a best-seller production machine. The author examines how writers have become cultural entrepreneurs, how state publishing houses are now motivated by commercial incentives, and how “second-channel,” unofficial publishers and distributors both compete and cooperate with official publishing houses in a dual-track, socialist-capitalist economic system. Taken together, these changes demonstrate how economic development and culture interact in a postsocialist society, in contrast to the way they work in the mature capitalist economies of the West. That economic reforms have affected many aspects of Chinese society is well known, but this is the first comprehensive analysis of market influences in the literary field. This book thus offers a fresh perspective on the inner workings of contemporary Chinese society.
來源: Google Book
來源: Google Book
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