附註:Performing forces and their significance. Vocal forces in Bach's Passions ; Singers and roles in Bach's Passions -- Passions in performance. The double chorus in the St. Matthew Passion BWV 244 ; Which St. John Passion BWV 245? ; A St. Mark Passion makes the rounds -- Phantom Passions. Parody and reconstruction : the St. Mark Passion BWV 247 ; Bach/not Bach : the anonymous St. Luke Passion BWV 246.
Includes bibliographical references and index.
摘要:Daniel Melamed offers a study of Bach's passion settings seeking to familiarise readers with some of the intriguing issues in the study & performance of older music. He explores what it means to listen to this music today.
