附註:For 1 or 2 voices (soprano and bass)--with unrealized basso continuo.
Includes preface, overview, and commentary in English, p. (3)--9.
Translations by Massimo Ossi.
Includes bibliographical references.
Ardo infelice [voice, b.c.] -- Io mi distruggo, et ardo [soprano, bass, b.c.] -- Lasciatemi qui solo [voice, b.c.] -- Io veggio i campi verdeggiar fecondi [voice, b.c.] -- La pastorella mia [voice, b.c.] -- Rendi alle mie speranze il verde [voice, b.c.] -- Dov'io credea le mie speranze vere [voice, b.c.] -- S'io men vò [soprano, bass, b.c.] -- Non sò se quel sorriso [voice, b.c.] -- Chi desia di saper che cosa è amore [voice, b.c.] -- Che t'ho fatt'io? [voice, b.c.] -- O vive rose [soprano, bass, b.c.] -- Se muove a giurar fede [voice, b.c.] -- Ch'amor sia nudo [voice, b.c.] -- Fresche aurette [soprano, bass, b.c.] -- Dispiegate guancie amate [voice, b.c.] -- O chiome belle [voice, b.c.].
摘要:Francesca Caccini (1587--ca. 1640) was an accomplished composer, singer, and instrumentalist in the tradition of the Florentine Camerata. Her 1618 volume Il primo libro delle musiche was dedicated to her patron the Cardinal de' Medici (1596--1666). This modern critical edition presents 17 secular monodies for one and two voices with figured bass accompaniment from this landmark collection. The book includes text translations, biographical and stylistic essays, recommendations on performance practi.