附註:Includes bibliographical references and index.
Cover -- Table of Contents -- Acknowledgements -- Introduction -- 1 Shakespeare, Theory and Contexts -- 1. Talking Shakespeare -- 2. How does Hamlet end? -- 3. Shakespeare and the Elizabethan Stage: Touring Practice in Shakespeare's Day -- 4. Studying Shakespeare and his Contemporaries -- 5. Shakespeare and History -- II Shakespeare and National Identity -- 6. 'Home, Sweet Home': Stratford-upon-Avon and the Making of the Royal Shakespeare Company as a National Institution -- III Shakespeare, Performance, Sexuality and Race -- 7. Twelfth Night: "One face, one voice, one habit and two persons!" -- 8. Shakespeare and the Homoerotic -- 9. Shakespeare and Race: Othello I.iii -- IV Shakespeare, Film and the Future -- 10. The Unkindest Cuts: Flashcut Excess in Kenneth Branagh's Hamlet -- 11. Showing Versus Telling: Shakespeare's Ekphraseis, Visual Absences, and the Cinema -- 12. Shakespeare and the Future -- 13. Why We Talk Shakespeare -- Appendix: Bibliography of Shakespeare and Electronic Sources -- Notes and References -- Notes on Contributors.
摘要:This text focuses on the reciprocal relationship between past and present, the way Shakespeare talks to us, the ways in which we talk about Shakespeare, and the way in which Shakespeare, ultimately, is "all talk". Through a variety of approaches to Shakespeare (including Shakespeare in his time, Shakespeare in our time, film, race, history and the future) the book looks at how Shakespeare is "talked about" in the fields of English studies, performance studies and cultural studies.
