附註:Includes bibliographical references (pages 307-328) and index.
Acknowledgments; Note on Formalia and Transcription; Stage Settings; CHAPTER 1. INVESTIGATING THE PERFORMANCE OF NATIONALISM AS A RELATIONAL PROCESS BETWEEN ISRAEL AND PALESTINE; CHAPTER 2. STRUGGLING FOR MODERN STATEHOOD: AUTHENTICITY, GENDER AND A TWICE INVENTED TRADITION; CHAPTER 3. CHANGING WAYS OF MOVEMENT: THE PALESTINIAN POPULAR DANCE TROUPE EL-FUNOUN, 1979-1999; CHAPTER 4. MAKING PLACE: KARMEI MAKHOL, 1982-1999; CHAPTER 5. IMPROVISING IN BETWEEN: AL-ASAYYEL, 1988-1999; Closing Up; Appendix; Bibliography; Glossary; Index.
摘要:In this ethnographic study, Kaschl examines the history of two related and competing Palestinian and Israeli folk dance forms. The focus is on how these forms known as dabkeh and debkah, respectively represent a contested cultural essence of both Palestinian and Israeli nationalism. The performances of three dance troupes (one Israeli and two Pale.
