附註:Includes bibliographical references (p. [265]-297) and index.
Preliminaries; Contents; Preface and Acknowledgments; Prelude; Fugue; Motet; Methodology; Requiem; Variations on a Theme; Quartet for the End of Time; Quodlibet; Notes; Bibliography; Index.
摘要:In this pathbreaking and provocative analysis of the aesthetics of law, the historian, legal theorist, and musician Desmond Manderson argues that by treating a text, legal or otherwise, as if it were merely a sequence of logical propositions, readers miss its formal and symbolic meanings.
