資料來源: Google Book
Shakespeare, music and performance[electronic resource]
- 其他作者: Barclay, Bill. , Lindley, David.
- 出版: Cambridge : Cambridge University Press 2017.
- 稽核項: xv, 286 p. :ill., digital ;24 cm.
- 標題: Criticism and interpretation. , Adaptations. , Stage history. , Music in the theater. , Shakespeare, William, 1564-1616 Stage history. , Shakespeare, William, 1564-1616 Adaptations. , Shakespeare, William, 1564-1616 Dramatic production. , Shakespeare, William, , Shakespeare, William, 1564-1616 Criticism and interpretation. , Dramatic production.
- ISBN: 1316505014 , 9781316505014
- 試查全文@TNUA:
- 附註: "The origins of this book lie in a conference organised by the editors at Shakespeare's Globe in 2013"--Acknowledgements. Title from publisher's bibliographic system (viewed on 25 May 2017).
- 摘要: Music has been an essential constituent of Shakespeare's plays from the sixteenth century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://doi.org/10.1017/9781316488768
- 系統號: 005325506
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Music has been an essential constituent of Shakespeare's plays from the sixteenth century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives.
來源: Google Book
來源: Google Book
評分