資料來源: Google Book
The globalization of theatre 1870-1930[electronic resource] :the theatrical networks of Maurice E. Bandmann
- 作者: Balme, Christopher B.
- 出版: Cambridge : Cambridge University Press 2020.
- 稽核項: xiv, 276 p. :ill., digital ;24 cm.
- 叢書名: Cambridge studies in modern theatre
- 標題: Theatrical managers , Bandmann, Maurice E. (Maurice Edward), 1872-1922. , Actors United States -- Biography. , Theatrical managers United States -- Biography. , Actor-network theory. , History. , Social networks. , Actors , Traveling theater , Actors Social networks. , Traveling theater History. , Bandmann, Maurice E. , Theater and globalization.
- ISBN: 1108738206 , 9781108738200
- 試查全文@TNUA:
- 附註: Title from publisher's bibliographic system (viewed on 11 Oct 2019). Family networks -- Mobile enterprises -- The micropolitics of locality -- Repertoires and publics -- Transported actors -- Contested contracts -- Infrastructure : from theatre to cinema -- Legacies.
- 摘要: Between 1895 and 1922 the Anglo-American actor and manager, Maurice E. Bandmann (1872-1922) created a theatrical circuit that extended from Gibraltar to Tokyo and included regular tours to the West Indies and South America. With headquarters in Calcutta and Cairo and companies listed on the Indian stock exchange, his operations represent a significant shift towards the globalization of theatre. This study focuses on seven key areas: family networks; the business of theatrical touring; the politics of locality; repertoire and publics; an ethnography of itinerant acting; legal disputes and the provision of theatrical infrastructure. It draws on global and transnational history, network theory and analysis as well as in-depth archival research to provide a new approach to studying theatre in the age of empire.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://doi.org/10.1017/9781108768252
- 系統號: 005325518
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Between 1895 and 1922 the Anglo-American actor and manager, Maurice E. Bandmann (1872-1922) created a theatrical circuit that extended from Gibraltar to Tokyo and included regular tours to the West Indies and South America. With headquarters in Calcutta and Cairo and companies listed on the Indian stock exchange, his operations represent a significant shift towards the globalization of theatre. This study focuses on seven key areas: family networks; the business of theatrical touring; the politics of locality; repertoire and publics; an ethnography of itinerant acting; legal disputes and the provision of theatrical infrastructure. It draws on global and transnational history, network theory and analysis as well as in-depth archival research to provide a new approach to studying theatre in the age of empire.
來源: Google Book
來源: Google Book
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