The Cambridge companion to music in digital culture[electronic resource]
- 其他作者: Cook, Nicholas. , Ingalls, Monique Marie. , Trippett, David.
- 出版: Cambridge : Cambridge University Press 2019.
- 稽核項: xiv, 332 p. :ill., digital ;24 cm.
- 叢書名: Cambridge companions to music
- 標題: Music and technology. , Music and the Internet. , Music Social aspects. , Digital media , Social aspects. , Music , Digital media Social aspects.
- ISBN: 1316614077 , 9781316614075
- 試查全文@TNUA:
- 附註: Title from publisher's bibliographic system (viewed on 30 Aug 2019).
- 摘要: The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://doi.org/10.1017/9781316676639
- 系統號: 005325547
- 資料類型: 電子書
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The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production.
來源: Google Book
來源: Google Book
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