The global contemporary and the rise of new art worlds
- 其他作者: Belting, Hans , Buddensieg, Andrea, , Weibel, Peter, , Zentrum für Kunst und Medientechnologie Karlsruhe,
- 出版:
- 稽核項: 496 pages :color illustrations ;28 cm.
- 標題: Art, Modern , Art and globalization , Globalization in art , Art, Modern 21st century -- Exhibitions. , Globalization in art Exhibitions. , Art, Modern 20th century -- Exhibitions. , Biennials (Art fairs) , Art and globalization Exhibitions.
- ISBN: 0262518341 , 9780262518345
- 附註: "After the exhibition The Global Contemporary: Art Worlds after 1989 at ZKM ended in February 2012, our next task was to prepare the present volume, which is conceived as a companion guide to the topic of the exhibition and furthermore seeks to contextualize its aims."--Page 17. Includes bibliographical references and index.
- 摘要: "The geography of the visual arts changed with the end of the Cold War. Contemporary art was no longer defined, exhibited, interpreted, and acquired according to a blueprint drawn up in New York, London, Paris, or Berlin. The art world distributed itself into art worlds. With the emergence of new art scenes in Asia and the Middle East and the explosion of biennials, the visual arts have become globalized as surely as the world economy has. This book offers a new map of contemporary art's new worlds. The Global Contemporary and the Rise of New Art Worlds documents the globalization of the visual arts and the rise of the contemporary over the last twenty years. Lavishly illustrated, with color throughout, it tracks developments ranging from exhibition histories and the rise of new art spaces to art's branding in such emerging markets as Hong Kong and the Gulf States. Essays treat such subjects as curating after the global turn; art and the migration of pictures; the end of the canon; and new strategies of representation."--Publisher's website.
- 系統號: 005328879
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Mapping the new geography of the visual arts, from the explosion of biennials to the emerging art markets in Asia and the Middle East. The geography of the visual arts changed with the end of the Cold War. Contemporary art was no longer defined, exhibited, interpreted, and acquired according to a blueprint drawn up in New York, London, Paris, or Berlin. The art world distributed itself into art worlds. With the emergence of new art scenes in Asia and the Middle East and the explosion of biennials, the visual arts have become globalized as surely as the world economy has. This book offers a new map of contemporary art's new worlds. The Global Contemporary and the Rise of New Art Worlds documents the globalization of the visual arts and the rise of the contemporary over the last twenty years. Lavishly illustrated, with color throughout, it tracks developments ranging from exhibition histories and the rise of new art spaces to art's branding in such emerging markets as Hong Kong and the Gulf States. Essays treat such subjects as curating after the global turn; art and the migration of pictures; the end of the canon; and new strategies of representation.
來源: Google Book
來源: Google Book
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