Art and its worlds :exhibitions, institutions and art becoming public
- 其他作者: Choy, Bo, , Esche, Charles, , Morris, David , Steeds, Lucy,
- 出版:
- 稽核項: 431 pages :illustrations (some color) ;24 cm.
- 叢書名: Exhibition histories
- 標題: Art, Modern , Art, Modern 20th century -- Exhibitions -- History. , Art , Themes, motives. , Art Exhibition techniques. , Art, Modern 21st century -- Themes, motives. , Curatorship. , ExhibitionsHistory. , Art, Modern 20th century -- Themes, motives. , Art and society. , Art, Modern 21st century -- Exhibitions -- History. , Exhibition techniques.
- ISBN: 1846382564 , 9781846382567
- 附註: "Published by Afterall Press in association with Asia Art Archive, the Center for Curatorial Studies, Bard College and the Faculty of Fine, Applied and Performing Arts, University of Gothenburg"--Title page verso Includes bibliographical references.
- 摘要: "Art and its Worlds offers a possible history of art since 1989 told through the moments when art becomes public. The anthology addresses some of the myriad worlds conjured by art and the telling of their histories. It is guided by three questions: What is the 'global' for art and exhibition-making, or why has it been what it has? How have agents including artists and curators experimented with different forms of exhibition? And how do these exhibitionary moments connect to longer-term and institutional trajectories? Key texts previously published in Afterall journal appear alongside newly commissioned essays, artist contributions, conversations and translations, exploring exhibition as a material, embodied and political practice, while inviting a new location for past art and bringing it into the present for what is to come"--Provided by publisher
- 系統號: 005328882
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
"Art and its Worlds offers a possible history of art since 1989 told through the moments when art becomes public. The anthology addresses some of the myriad worlds conjured by art and the telling of their histories. It is guided by three questions: What is the 'global' for art and exhibition-making, or why has it been what it has? How have agents including artists and curators experimented with different forms of exhibition? And how do these exhibitionary moments connect to longer-term and institutional trajectories? Key texts previously published in Afterall journal appear alongside newly commissioned essays, artist contributions, conversations and translations, exploring exhibition as a material, embodied and political practice, while inviting a new location for past art and bringing it into the present for what is to come"--Provided by publisher.
來源: Google Book
來源: Google Book
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