資料來源: Google Book
Affirming the absurd in Harold Pinter
- 作者: Wong, Jane Yeang Chui.
- 出版: New York : Palgrave Macmillan 2013.
- 版本: 1st ed.
- 稽核項: viii, 103 pages ;23 cm.
- 叢書名: Palgrave pivot
- 標題: Pinter, Harold, , Criticism and interpretation. , Pinter, Harold, 1930-2008 Criticism and interpretation.
- ISBN: 1137343079 , 9781137343079
- 附註: Includes bibliographical references (pages 93-100) and index. Introduction -- Intruders as Liberators in The Birthday Party -- Estrangement and Reconnection in The Caretaker -- Implied Silence: Anatomizing Friendship and Betrayal in The Dwarfs -- Conceptualizing Structure, Freedom, and Desire in The French Lieutenant's Woman -- Epilogue.
- 摘要: "While the Absurd is frequently used to analyze Harold Pinter's work, some aspects have been long overlooked in Pinter criticism - contemplation and affirmation. Many scholars note the menacing, dark, and sinister qualities of Pinter's works, however there is a lack of alternative interpretations and very little attention has been paid to the affirmative aspects of his plays. This work remedies the lack by examining these aspects, in particular the characters' focus on overcoming trying circumstances, their persistence in the pursuit of freedom, and their stoic but courageous attitudes toward a fate they cannot avoid. Using Martin Esslin's "invention"--The Theatre of the Absurd - to examine Pinter's works, Jane Wong Yeang Chui brings the complexities and intricacies of the plays to the forefront, provoking readers and audiences to reconsider and problematize more conventional studies of his plays."--Publisher's website.
- 系統號: 005329198
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Using Martin Esslin's "invention" - the Theatre of the Absurd - to examine Pinter's works, Wong brings the complexities and intricacies of the plays to the forefront, provoking readers and audiences to reconsider and problematize more conventional studies of his plays.
來源: Google Book
來源: Google Book
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