資料來源: Google Book
Katie Mitchell :beautiful illogical acts
- 作者: Fowler, Benjamin,
- 出版:
- 稽核項: xii, 266 pages :illustrations (black and white) ;24 cm.
- 標題: Theatrical producers and directors , Mitchell, Katie Criticism and interpretation. , Criticism and interpretation. , Mitchell, Katie , Theatrical producers and directors Great Britain.
- ISBN: 1138082368 , 9781138082366
- ISBN: 9781351622431 , 9781351622448 , 9781315112572
- 附註: Includes bibliographical references and index.
- 摘要: Katie Mitchell: Beautiful Illogical Acts offers the first comprehensive study of Britain's most internationally recognised, influential, and controversial theatre director. It examines Mitchell's innovations in fourth-wall realism, opera, and Live Cinema across major British and European institutions, bringing three decades of practice vividly to life. Informed by first-hand rehearsal observations and in-depth conversations with the director and her collaborators, Fowler investigates the intense and immersive qualities of Mitchell's distinctive theatrical realism and challenges mainstream narratives about realism as a defunct or inherently conservative genre. He explores Mitchell's theatre--and its often polarised reception--to question familiar assumptions governing contemporary performance criticism, including common binaries that pit realism against radical experimentation, auteurs against texts, feminists against Naturalism, and Britain against Europe. By examining a career trajectory that intersects with huge cultural change, Fowler places Mitchell at the centre of urgent contemporary debates about cultural transformation and its genuinely inclusive potential. This is an essential book for those interested in Katie Mitchell, British theatre, directing, the transformative power of realism and feminism in contemporary theatre practice, and challenges to hierarchical distributions of power inside the mainstream.
- 系統號: 005329207
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Katie Mitchell: Beautiful Illogical Acts offers the first comprehensive study of Britain's most internationally recognised, influential and controversial theatre director. It examines Mitchell's innovations in fourth-wall realism, opera and Live Cinema across major British and European institutions, bringing three decades of practice vividly to life. Informed by first-hand rehearsal observations and in-depth conversations with the director and her collaborators, Fowler investigates the intense and immersive qualities of Mitchell's distinctive theatrical realism and challenges mainstream narratives about realism as a defunct or inherently conservative genre. He explores Mitchell's theatre - and its often polarised reception - to question familiar assumptions governing contemporary performance criticism, including common binaries that pit realism against radical experimentation, auteurs against texts, feminists against Naturalism, and Britain against Europe. By examining a career trajectory that intersects with huge cultural change, Fowler places Mitchell at the centre of urgent contemporary debates about cultural transformation and its genuinely inclusive potential. This is an essential book for those interested in Katie Mitchell, British theatre, directing, the transformative power of realism and feminism in contemporary theatre practice, and challenges to hierarchical distributions of power inside the mainstream.
來源: Google Book
來源: Google Book
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