附註:Reconsidering the history of East Asian painting: painting from China vs. Chinese-style painting in Japan / Shimao Arata -- The imperial treasures of the Shōsōin and the collections of the Tang emperors / Itakura Masaaki -- Overcoming modernity: towards a concept of 'East Asian art history' / Satō Dōshin -- The triangle of modern Japanese yōga: Paris, Tokyo, and East Asia / Miura Atsushi -- 'Marginal Man' Pai Un-soung (1900-1978): his European experience, his views, and his art / Shin Min-Jong -- Reinventing localism, tradition, and identity: the role of modern Okinawan painting (1930s-1960s) / Eriko Tomizawa-Kay -- The evolution and modernization of the sculpture genre in East Asia according to the Japanese example / Kitazawa Noriaki -- War and pornography in East Asia / Adachi Gen -- Chinese seal carving in modern Japan: Qian Shoutie's relationship with Hashimoto Kansetsu / Aida Yuen Wong -- 'National painting' unbound: modernizing ink painting in the Sino-Japanese art world / Tamaki Maeda -- Korean lacquerwork craftsmen who went to Japan: change and innovation in Korean lacquerwork during the colonial period / Roh Junia -- The concept of art in the Meishu Congshu: from foreign loan to national tradition / Liu Yu-Jen.
摘要:This is the first comprehensive English-language study of East Asian art history in a transnational context, and challenges the existing geographic, temporal, and generic paradigms that currently frame the art history of East Asia. This pioneering study proposes an important new framework that focuses on the relationship between China, Japan, and Korea. By reconsidering existing concepts of 'East Asia', and examining the porousness of boundaries in East Asian art history, the study proposes a new model for understanding trans-local artistic production - in particular the mechanics of interactions - at the turn of the 20th century.
