附註:Intro -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Series Foreword -- Acknowledgments -- Introduction: Return to Form -- Machine Learning and Computer Vision -- The New Science Wars -- Digital Art History -- Objectivity and Cultural Studies -- Art History and Objectivity -- Computational Formalism -- Questions of Style -- 1. The Shape of Data -- Digitization and Dataset Creation -- The Semantic Gap -- Artificial ArtHistorian -- Image Selection -- Image Categorization -- Stylistic Determinism -- Style Unsupervised -- Stylistic Devices -- 2. Deep Connoisseurship -- Cat, Dog, or Virgin Mary? -- Value, Fame, and the Artist's Hand -- Opening the Black Box -- The Business of Authenticity -- Next-Level Forgeries and Fakes -- An Artificial Artist? -- Poor Images -- 3. Conclusion: Man, Machine, Metaphor -- The Rise of the Humanities Lab -- Foreign Metaphors as Interdisciplinary Tool -- Appendix: Classification by Artistic Style, Publications in Computer Science, 2005-2021, Including the Development and Utilization of Fine Art Datasets -- Index.
