資料來源: Google Book
Southeast Asia on screen :from independence to financial crisis (1945-1998)
- 其他作者: Khoo, Gaik Cheng, , Barker, Thomas , Ainslie, Mary J.,
- 出版:
- 稽核項: 303 pages :color illustrations ;25 cm.
- 叢書名: Asian visual cultures ;10.
- 標題: Motion pictures , Plots, themes, etc. , Motion pictures Southeast Asia -- Plots, themes, etc. , Motion pictures Southeast Asia -- History -- 20th century. , Motion picture industry , Motion picture industry Southeast Asia -- History -- 20th century. , History
- ISBN: 9462989346 , 9789462989344
- ISBN: 9789048541904
- 附註: Includes bibliographical references and index.
- 摘要: This collection examines Southeast Asia's cinematic development throughout the latter part of the 20th century, before the post-2000 revival and the advent of digital filmmaking.00Following the end of World War 2, after which many Southeast Asian nations gained their national independence, and up until the Asian Financial Crisis of 1997-1998, film industries in Southeast Asia had distinctive and colourful histories shaped by unique national and domestic conditions. This collection addresses the similar themes, histories, trends, technologies, and socio-political events that have moulded the art and industry of film in this region, identifying the unique characteristics that continue to shape cinema, spectatorship and Southeast Asian filmmaking in the present and the future. Bringing together scholars across the region, chapters explore the conditions that have given rise to today's burgeoning Southeast Asian cinemas as well as the gaps that manifest as temporal belatedness and historical disjunctures in the more established regional industries.
- 系統號: 005330807
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
After the end of World War II when many Southeast Asian nations gained national independence, and up until the Asian Financial Crisis, film industries here had distinctive and colourful histories shaped by unique national and domestic conditions. Southeast Asia on Screen: From Independence to Financial Crisis (1945-1998) addresses the similar themes, histories, trends, technologies and sociopolitical events that have moulded the art and industry of film in this region, identifying the unique characteristics that continue to shape cinema, spectatorship and Southeast Asian filmmaking in the present and the future. Bringing together scholars across the region, chapters explore the conditions that have given rise to today's burgeoning Southeast Asian cinemas as well as the gaps that manifest as temporal belatedness and historical disjunctures in the more established regional industries.
來源: Google Book
來源: Google Book
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