Post-photography :the artist with a camera
- 作者: Shore, Robert
- 出版:
- 稽核項: 272 pages :illustrations (chiefly color) ;28 cm.
- 叢書名: Elephant books
- 標題: Photography, Artistic. , Digital images. , Applied photography. , Appropriation (Art) , Art and the Internet.
- ISBN: 1780672284 , 9781780672281
- 附註: Photographers include: Leonce Raphael Agbodjelou, Martina Bacigalupo, Olivo Barbieri, Valérie Belin, Nicole Belle, David Birkin, Julia Borissova, Aliki Braine, Olaf Breuning, Jonny Briggs, Adam Broomberg and Oliver Chanarin, João Castilho, Caleb Charland, John Chervinsky, Julie Cockburn, Laurence Demaison, Daniel Eskenazi, Brendan Fowler, Shadi Ghadirian, Charles Grogg, Alejandro Guijarro, Rune Guneriussen, Hisaji Hara, Mishka Henner, Dan Holdsworth, Scarlett Hooft Graafland, Erik Johansson, Brandon Juhasz, Steffi Klenz, Jonathan Lewis, Benjamin Lowy, Cristina De Middel, Richard Mosse, Angelo Musco, Sohei Nishino, Chen Nong, Jorma Puranen, Roman Pyatkovka, Jae Yong Rhee, Christy Lee Rogers, Joachim Schmid, Andreas Schmidt, Chloe Sells, Noé Sendas, Berndnaut Smilde, Dafna Talmor, David Thomas Smith, Eva Stenram, Clement Valla, Torsten Warmuth, Michael Wolf, Yang Yi, Yang Yongliang. Post-photography is ... -- Something borrowed, something new -- Layers of reality -- All the world is staged -- Hand and eye -- Post-photojournalism.
- 摘要: "The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before. Found imagery has become increasingly important in post-photographic practice, with the internet serving as a laboratory for a major kind of image-making experimentation. But artists also continue to create entirely original works using avant-garde techniques drawn from both the digital and analogue eras. This book is split into five sections -- Something Borrowed, Something New; Layers of Reality; All the World Is Staged; Hand and Eye; and Post-Photojournalism -- which cover the key strategies adopted by 53 of the most exciting and innovative international artist-photographers of the 21st century."--Publisher's description.
- 系統號: 005253555
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before. Found imagery has become increasingly important in post-photographic practice, with the internet serving as a laboratory for a major kind of image-making experimentation. But artists also continue to create entirely original works using avant-garde techniques drawn from both the digital and analogue eras. This book is split into six sections – Something Borrowed, Something New, Layers of Reality, Eye-Spy, Material Visions, Post-Photojournalism and All the World Is Staged – which cover the key strategies adopted by 53 of the most exciting and innovative artist-photographers of the 21st century, drawn from all over the world.
來源: Google Book
來源: Google Book
彭明敏，一九二三年生於台中大甲，台大政治系畢業，加拿大麥基爾大學法學碩士，法國巴黎大學法學博士，哈佛大學國際問題研究院研究。三十四歲成為當時台灣最年輕的教授，任教於台大政治系； 一九六四年因發表「台灣自救運動宣言」而成為政治犯、階下囚。一九七○年擺脫軟禁與監視逃亡至瑞典，後即在美國繼續法學研究與授課，長達二十餘年，仍為促進台灣民主政治不遺餘力。一九九二年始得返台，現主持彭明敏文教基金會，致力學術研討並任亞太民主協會理事長。
來源: iRead
來源: iRead
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