Henry Moore :late large forms.
- 作者: Moore, Henry,
- 其他作者: Feldman, Anita. , Wagner, Anne Middleton, , Gagosian Gallery (London, England) , Henry Moore Foundation.
- 出版: London :[Hertfordshire, England] :New York : Gagosian Gallery ;In collaboration with the Henry Moore Foundation ;Distributed by Rizzoli International Publications [2012].
- 稽核項: 180 p. :chiefly ill. (some col.) ;32 cm.
- 標題: Technique. , Sculpture Technique. , Figure sculpture , Large-scale sculpture , Models (Clay, plaster, etc.) , Models (Clay, plaster, etc.) Pictorial works. , Ausstellung London -- 2012. , Moore, Henry, 1898-1986. , Large-scale sculpture Exhibitions. , Figure sculpture Exhibitions. , Moore, Henry, , Sculpture , Moore, Henry, 1898-1986 Exhibitions.
- ISBN: 0847840174 , 9780847840175
- 附註: Published to accompany the exhibition curated by Anita Feldman and held at the Gagosian Gallery, London, May 31-Aug. 18, 2012. Essays by Anita Feldman and Anne M. Wagner. Includes bibliographical references. Britannia Street installation -- Late large forms / by Anita Feldman -- The working process -- Two piece reclining figure no. 2, 1960 -- Seated woman: thin neck, 1961 -- Large two forms, 1966 -- Three piece sculpture: vertebrae, 1968 -- Reclining connected forms, 1969 -- Large four piece reclining figure, 1972-73 -- Large spindle piece, 1974 -- Reclining figure: hand, 1979 -- Two piece reclining figure: cut, 1979-81 -- Moore's later sculpture: the space between the knuckles / by Anne M. Wagner.
- 系統號: 005253783
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
"Everything I do, I intend to make on a large scale . . . Size itself has its own impact, and physically we can relate ourselves more strongly to a big sculpture than to a small one." —Henry Moore It was Moore’s intention that these large-scale forms be interacted with, viewed close-up, and even touched. In order that their heft and mass be perceived in a myriad of settings, they were most commonly placed outdoors, subject to the effects of changing light, seasons, and terrain. Within the controlled white environment of the gallery space, the sheer volume and mammoth proportions of the sculptures are more keenly felt. Brimming with latent energy, their richly textured surfaces and sensual, rippling arcs and concavities can be seen to new effect.
來源: Google Book
來源: Google Book
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