Shakespeare in the theatre[electronic resource] :the National Theatre, 1963-1975 : Olivier and Hall
- 作者: Shaughnessy, Robert,
- 出版: London : The Arden Shakespeare 2018.
- 稽核項: 1 online resource (245 p.) :ill.
- 叢書名: Shakespeare in the theatre
- 標題: Stage history , Hall, Peter, 1930-2017. , Electronic books. , Olivier, Laurence, 1907-1989. , History. , Olivier, Laurence, , Hall, Peter, , Shakespeare, William, 1564-1616 Stage history -- England -- London. , National Theatre (Great Britain) History. , National Theatre (Great Britain) , Shakespeare, William,
- ISBN: 1474241069 , 9781474241069
- 試查全文@TNUA:
- 附註: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily. Includes bibliographical references (p. 221-234) and index. Olivier -- 1967 -- Translations -- Hall.
- 摘要: "The National Theatre's years at the Old Vic were the most Shakespearean period in its history, one which included Laurence Olivier's Othello and Shylock, a radical all-male As You Like It, the Berliner Ensemble's Coriolanus and TomStoppard's classic offshoot, Rosencrantz and Guildernstern are Dead. Drawing extensively upon the company archives, this book tells the interlinked stories of the National's relationship with Shakespeare through a series of production casestudies. Between them these illuminate Olivier's significance as actor and director, the National's pioneering accommodation of European theatre practitioners, and its ways of engaging Shakespeare with the contemporary."--
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://doi.org/10.5040/9781474241076?locatt=label:secondary_bloomsburyCollections
- 系統號: 005330930
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The National Theatre's years at the Old Vic were the most Shakespearean period in its history, one which included Laurence Olivier's Othello and Shylock, a radical all-male As You Like It, the Berliner Ensemble's Coriolanus and Tom Stoppard's classic offshoot, Rosencrantz and Guildernstern are Dead. Drawing extensively upon the company archives, this book tells the interlinked stories of the National's relationship with Shakespeare through a series of production case studies. Between them these illuminate Olivier's significance as actor and director, the National's pioneering accommodation of European theatre practitioners, and its ways of engaging Shakespeare with the contemporary.
來源: Google Book
來源: Google Book
評分
