附註:Includes bibliographical references (p. 193-210) and index.
Foreword by Professor Martin Barker -- Introduction -- Part I. THE ACTIVITY OF CINEMA-GOING -- 1. Cinemas, exhibition practices and topographical memories -- 2. Only entertainment?: memories inside and outside the cinema -- Part II.FILMS: GENRE, TASTE, AND POPULAR MEMORY -- 3. Audiences and film genre -- 4. 'Back then I believed in the nation - I don't anymore': re-visiting national film canon through audience memories -- Part III. GENDER AND CINEMA-GOING -- 5. A girls' eye view of post-war Italian cinema -- 6. Beyond 'belle e brave': female stars and audiences -- 7. Narrative imaginings of masculinity through cinema -- Conclusions -- Appendix 1: Questionnaire -- Appendix 2: Video-Interview -- Appendix3: List of Thematic Areas -- Bibliography -- Index.
摘要:"Investigates the importance of cinema-going to social life in post-war Italy, and unpacks the complex relations between film texts and their consumption, individual and collective memory, and national, regional, and gendered identities"--
