附註:Includes bibliographical references and index.
Section 1. Mobilisations of memory: re-imaginings, re-interpretations, and other catalysts for re-negotiating the past. Chapter 1. Interior archives: an experiment in autobiographical fiction ; Chapter 2. Trauma and memory in women's photographic practice: a diffractive posthuman approach ; Chapter 3. Staging sermon: performing autobiographical memory through "the waste land" ; Chapter 4. The inland lighthouse: a photographic study and interpretation of place and remembrance ; Chapter 5. Still forgetting: minor photographic approaches to desmemòria in the post-Franco era -- Section 2. Interplays sketching a self: psychic configurations, embodied instances. Chapter 6. Playing myself/selves: the unknowing of autobiographical photographic self-portraits ; Chapter 7. Photography as writing of the self ; Chapter 8. Memories of the cruel radiance: the lost art of autopathography ; Chapter 9. The intertwiningthe chiasm: embodiment, affect, and autobiographical photography ; Chapter 10. The burden of the screen: virtual presence and death during Covid-19 ; Chapter 11. The body in photography: a psychological "real"-istic reading -- Section 3. To have and to hold: in the absence ofphotograph. Chapter 12. Make the most of your memories: re-enactment phototherapy, auto-ethnography, memorialisation ; Chapter 13. Identity politics: a study of diasporic identity mediated through family photography ; Chapter 14. To have and to hold: touch and the objects of the dead ; Chapter 15. In the absence of the photograph ; Chapter 16. The implicated spectator: inscribing oneself into a photograph -- Section 4. Shadowy archives. Chapter 17. Embodying the family album:photography as a mnemonic device ; Chapter 18. Beyond the photograph: the phenomenon of confabulation in family photographs counter-memory and narrative from the silenced shadow archives ; Chapter 19. Me and my mom's camera: family archives and collaborative memory work ; Chapter 20. Understanding, reactivating, and repro
摘要:"Autobiographical memory and photography have been inextricably linked since the first photographs appeared during the 19th Century and this book edited and written by world-class scholars who are both theorists and practitioners will add significantly to the debate about how we remember the past and how we do this through, with and by photography and photographs"--
