資料來源: Google Book
Philosophical connections[electronic resource] :Akenside, Neoclassicism, Romanticism
- 作者: Townsend, Chris.
- 出版: Cambridge : Cambridge University Press 2022.
- 稽核項: 69 p. :ill., digital ;24 cm.
- 叢書名: Cambridge elements. Elements in eighteenth-century connections,
- 標題: Akenside, Mark, 1721-1770. , Criticism and interpretation. , Neoclassicism (Literature) , Romanticism. , Akenside, Mark, 1721-1770 Criticism and interpretation. , Akenside, Mark,
- ISBN: 100922297X , 9781009222976
- ISBN: 2632-5578
- 試查全文@TNUA:
- 附註: Title from publisher's bibliographic system (viewed on 07 Apr 2022).
- 摘要: Neoclassical and Romantic verse cultures are often assumed to sit in an oppositional relationship to one another, with the latter amounting to a hostile reaction against the former. But there are in fact a good deal of continuities between the two movements, ones that strike at the heart of the evolution of verse forms in the period. This Element proposes that the mid-eighteenth-century poet Mark Akenside, and his hugely influential Pleasures of Imagination, represent a case study in the deep connections between Neoclassicism and Romanticism. Akenside's poem offers a vital illustration of how verse was a rival to philosophy in the period, offering a new perspective on philosophic problems of appearance, or how the world 'seems to be'. What results from this is a poetic form of knowing: one that foregrounds feeling over fact, that connects Neoclassicism and Romanticism, and that Akenside called the imagination's 'pleasures'.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://doi.org/10.1017/9781009222990
- 系統號: 005331428
- 資料類型: 電子書
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- 引用網址: 複製連結
Neoclassical and Romantic verse cultures are often assumed to sit in an oppositional relationship to one another, with the latter amounting to a hostile reaction against the former. But there are in fact a good deal of continuities between the two movements, ones that strike at the heart of the evolution of verse forms in the period. This Element proposes that the mid-eighteenth-century poet Mark Akenside, and his hugely influential Pleasures of Imagination, represent a case study in the deep connections between Neoclassicism and Romanticism. Akenside's poem offers a vital illustration of how verse was a rival to philosophy in the period, offering a new perspective on philosophic problems of appearance, or how the world 'seems to be'. What results from this is a poetic form of knowing: one that foregrounds feeling over fact, that connects Neoclassicism and Romanticism, and that Akenside called the imagination's 'pleasures'.
來源: Google Book
來源: Google Book
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