Native North American authorship[electronic resource] :text, breath, modernity
- 作者: Lee, A. Robert.
- 出版: New York : Peter Lang 2022.
- 稽核項: ix, 351 p. :digital ;24 cm.
- 標題: American literature Indian authors -- History and criticism. , Canadian literature Indian authors -- History and criticism. , American literature , Indian authorsHistory and criticism. , Canadian literature
- ISBN: 1636670482 , 9781636670485
- ISBN: 9781433188664 , 9781433188671
- 試查全文@TNUA:
- 附註: Includes bibliographical references and index. Native American renaissance : timelines, texts -- Life writing : telling you now -- Wordwalker : N. Scott Momaday Triptych -- The full house in her hand : Leslie Marmon Silko -- Web and house : later Erdrich, earlier Erdrich -- Cross worlds : the sight and sound of James Welch -- Storier : postindian trajectory in the novels of Gerald Vizenor -- Off and on center : Sherman Alexie -- Memory theatre : the fictions of Louis Owens -- Changing points of compass : the novel 1990s-2020s -- Story panorama : anthology, author collection -- Whole parts : scripting Diane Glancy's short fiction -- Dark illumination : the noir story collections of Stephen Graham -- Poetry remembrance : Joy Harjo, Wendy Rose, Diane Glancy, Luci Tapahonso, Kimberly Blaeser -- A native form of existence : the poetries of Simon Ortiz, Ray A. Young Bear, Tommy Pico -- Oklahoma international : Jim Barnes and the sites of imagination -- Two handed : self and habitat in the poetry of Linda Hogan -- Electronic computer and stub pencil : the writing-in of Ralph Salisbury -- Epilogue. Native, North American, authorship.
- 摘要: "Can it now be doubted that Native American/First Nations literary voice has become other than an established, and hugely compelling, compass? Native North American Authorship takes bearings, a roster of close readings yet situated within the wider latitudes and longitudes of timeline, place, memory. The emphasis falls throughout upon imagination, the "breath" within given texts be they fiction, poetry or self-writing. This is also to emphasize Native writing as modern (and in some cases postmodern) phenomenon, for sure rooted in tribal particularity, oral tradition, and trickster lore, but also given to reflexivity, the writer looking over his/her own shoulder. The authorship involved is now a literature equally of the city and indeed of geographies encountered beyond North America. The aim is to avoid suggesting some Grand Synthesis or to replay battles of reservation/off reservation ideology. The account opens with two purviews: the scale of Native written texts from early Christian-convert witness to contemporary verse and story by names like Tommy Pico and Eden Robinson, and the fuller implication of a category like Native American Renaissance. Key author portraits follow of N. Scott Momaday, Leslie Marmon Silko, Louise Erdrich, James Welch, Gerald Vizenor, Sherman Alexie and Louis Owens. New longer fiction and anthology stories invite their respective chapters as do the story-collections of Diane Glancy and Stephen Graham Jones. Poetry assumes focus in the accounts of Joy Harjo and her contemporaries and Simon Ortiz and his contemporaries, with specific chapters on Jim Barnes, Linda Hogan and Ralph Salisbury. The epilogue adds further context: "Native" as cultural etymology, the role of site and space-time, and the affinities of Native authorship with other Native arts"--
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://www.peterlang.com/search?searchstring=9781433188657
- 系統號: 005331510
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Can it now be doubted that Native American/First Nations literary voice has become other than an established, and hugely compelling, compass? Native North American Authorship takes bearings, a roster of close readings yet situated within the wider latitudes and longitudes of timeline, place, memory. The emphasis falls throughout upon imagination, the "breath" within given texts be they fiction, poetry or self-writing. This is also to emphasize Native writing as modern (and in some cases postmodern) phenomenon, for sure rooted in tribal particularity, oral tradition, and trickster lore, but also given to reflexivity, the writer looking over his/her own shoulder. The authorship involved is now a literature equally of the city and indeed of geographies encountered beyond North America. The aim is to avoid suggesting some Grand Synthesis or to replay battles of reservation/off reservation ideology. The account opens with two purviews: the scale of Native written texts from early Christian-convert witness to contemporary verse and story by names like Tommy Pico and Eden Robinson, and the fuller implication of a category like Native American Renaissance. Key author portraits follow of N. Scott Momaday, Leslie Marmon Silko, Louise Erdrich, James Welch, Gerald Vizenor, Sherman Alexie and Louis Owens. New longer fiction and anthology stories invite their respective chapters as do the story-collections of Diane Glancy and Stephen Graham Jones. Poetry assumes focus in the accounts of Joy Harjo and her contemporaries and Simon Ortiz and his contemporaries, with specific chapters on Jim Barnes, Linda Hogan and Ralph Salisbury. The epilogue adds further context: "Native" as cultural etymology, the role of site and space-time, and the affinities of Native authorship with other Native arts.
來源: Google Book
來源: Google Book
評分
