Reclaiming popular documentary
- 其他作者: Milliken, Christie, , Anderson, Steve F.,
- 出版:
- 稽核項: 1 online resource (ix, 393 pages).
- 標題: Publics. , History and criticism. , Electronic books , Documentary films , Cinéma Publics. , Film criticism. , Documentary films. , Criticism, interpretation, etc. , Documentary films History and criticism. , Motion picture audiences. , Cinéma
- ISBN: 025305690X , 9780253056900
- ISBN: 9780253056870 , 9780253056887
- 試查全文@TNUA:
- 附註: Includes bibliographical references and index.
- 摘要: "The documentary has achieved rising popularity over the past two decades, thanks to streaming services like Netflix and Hulu. Despite this fact, documentary studies still tends to favor works that appeal primarily to specialists and scholars. Reclaiming Popular Documentary reverses this longstanding tendency by showing that documentaries can be-and are-made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of popular to acknowledge documentary's many evolving forms, including branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary forms-including web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demand-and offer the critical tools that viewers need in order to analyze contemporary documentaries and consider how they are persuaded by and represented in documentary media. By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike"--
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://www.jstor.org/stable/10.2307/j.ctv21hrhxk
- 系統號: 005331566
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The documentary has achieved rising popularity over the past two decades thanks to streaming services like Netflix and Hulu. Despite this, documentary studies still tends to favor works that appeal primarily to specialists and scholars. Reclaiming Popular Documentary reverses this long-standing tendency by showing that documentaries can be—and are—made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of popular to acknowledge the many evolving forms of documentary, such as branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary forms—including web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demand—and offer the critical tools viewers need to analyze contemporary documentaries and consider how they are persuaded by and represented in documentary media. By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike.
來源: Google Book
來源: Google Book
評分