資料來源: Google Book
Unvarnishing reality :subversive Russian and American cold war satire
- 作者: Maus, Derek C.
- 出版: Columbia : University of South Carolina Press ©2011.
- 稽核項: 1 online resource (xvi, 247 pages).
- 標題: Satire, American , Russian fiction 20th century -- History and criticism. , Politique et littérature , Roman russe , Roman américain 20e siècle -- Histoire et critique. , Cold War , American fiction , War , General. , Satire, American History and criticism. , Politics and literature History -- 20th century. , 1900 - 1999 , Satire, Russian History and criticism. , Criticism, interpretation, etc. , Cold War Influence. , History , Cold War (1945-1989) in literature , Satire, Russian , History and criticism. , Politics and literature , American fiction 20th century -- History and criticism. , Cold War in literature. , Influence. , LITERARY CRITICISM American -- General. , LITERARY CRITICISM , Histoire et critique. , Guerre froide dans la littérature. , Roman américain , Politique et littérature Histoire -- 20e siècle. , AmericanGeneral. , Histoire , Influence , HUMOR General. , Roman russe 20e siècle -- Histoire et critique. , HUMOR , War Influence , Russian fiction
- ISBN: 1611172268 , 9781611172263
- ISBN: 9781570039850 , 1570039852
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 231-241) and index. The role of literature during the cold war -- The intersection of literature and politics during the cold war -- "The bind of the digital" and other oversimplified logic -- Cold war critiques of Utopia -- Totalized distortions and fabrications -- Epilogue: there is still time.
- 摘要: An interdisciplinary approach to understanding superpower satire.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://www.jstor.org/stable/10.2307/j.ctv6wgcs0
- 系統號: 005331567
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Unvarnishing Reality draws original insight to the literature, politics, history, and culture of the cold war by closely examining the themes and goals of American and Russian satirical fiction. As Derek C. Maus illustrates, the paranoia of nuclear standoff provided a subversive storytelling mode for authors from both nations—including Thomas Pynchon, Robert Coover, John Barth, Walker Percy, Don DeLillo, Kurt Vonnegut Jr., Vasily Aksyonov, Yuz Aleshkovsky, Alexander Zinoviev, Vladimir Voinovich, Fazil Iskander, and Sasha Sokolov. Maus surveys the background of each nation's culture, language, sociology, politics, and philosophy to map the foundation on which cold war satire was built. By highlighting common themes of utopianism, technology, and propaganda, Maus effectively shows the ultimate motive of satirists on both sides was to question the various forces contributing to the cold war and to expose the absurdity of the continuous tension that pulsed between the United States and the Soviet Union for nearly half a century. Although cold war literature has been studied extensively, few critics have focused so keenly on comparisons of satirical fictions by Russian and American writers that condemn and subvert the polarizing ideologies inherent in superpower rivalry. Such a comparison reveals thematic and structural similarities that transcend specific national and cultural origins. In considering these works together, Maus locates a thoroughgoing humanistic refutation of the cold war and its operative doctrines as well as a range of proposed alternatives. Just as the cold war combatants ultimately reconciled in 1991 with the fall of the Soviet Union, Maus seeks to bring these two literary canons together now. Their thematic scope transcends cultural differences, and, as Maus demonstrates, these writers saw that there was not only the atomic bomb to fear, but also the dangers of complete national militarization and the constant polarizing threat of emergency. Thus their cold war critiques still resonate today and invite further comparative studies such as this one.
來源: Google Book
來源: Google Book
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